Over the past twenty years, Okundaye has conducted
workshops on traditional Nigerian textiles for audiences in the United States and Europe. She had her first solo exhibition at the
Goethe Institute,
Lagos, in 1968. In her view, the traditional art of Adire Eleko is only possible because of a specific Nigerian heritage of passing knowledge from one generation to the next. In a video interview published by
Nubia Africa, Okundaye states that "school can only teach what they [art students] already know." According to a
CNBC Africa interview, she trained more than 3,000 young Nigerians for free and she continues to help by funding many poor to establish their small businesses and art workshops in different parts of Nigeria. According to Kim Marie Vaz, folklore often intermingles with personal experiences to express disheartening subjects regarding female suffering. Folklore that Okundaye was exposed to through evening stories spoken by the village elder, addressing social issues centred on female suffrage, in which she uses folklore figures to express her concerns on female suffering through her batiks that portray the goddess Osun (i.e., "Mother of Africa") communicating on ideologies and social norms that place females in constrained positions. Adire – that which is tied and dyed – is native to the Southwest region of Nigeria. The freehand dyeing is sometimes known as "Adire Eleko". "Adire" refers to indigo dye, and "Eleko" refers to the boiled cassava, lime, and alum-resist technique used to create patterns. There is a strong tendency to keep dyeing recipes and methods secret from inquisitive outsiders. Okundaye chooses to continuously reference adire patterns in her artwork because adire is a women's art and was taught to her by her mother. Adire pattern motifs were traditionally passed down from mother to daughter, and the designs themselves have virtually not changed in form over time. Okundaye was featured on CNN International's
African Voices, which features Africa's most engaging personalities, exploring their lives and passions. Her painting is permanently displayed at the
Smithsonian Museum as of 2012, and her work is also part of the collection of the Gallery of African Art and the
British Library in London and at
Johfrim Art and Design Studio. She holds the
chieftaincy titles of the Yeye Oba of Ogidi-Ijumu and the Yeye Tasase of
Oshogbo. Okundaye was included in the 2019 show
I Am… Contemporary Women Artists of Africa at the Smithsonian's
National Museum of African Art in Washington, D C. In April of the same year, she was conferred with an honorary doctorate by
Rhodes University during its annual graduation ceremonies. ==Personal life==