Box office A Time to Kill was released in the United States on July 24, 1996. It reached number one during its first two weeks and grossed over $108 million domestically. It has a score of 54 out of 100 on
Metacritic, based on 21 reviews. Audiences surveyed by
CinemaScore gave the film a grade of "A" on a scale of A+ to F.
Roger Ebert gave the film three stars out of four, saying: "I was absorbed by
A Time to Kill, and found the performances strong and convincing," and added that "this is the best of the film versions of Grisham novels, I think, and it has been directed with skill by Joel Schumacher." The film was not without its detractors. Anthony Puccinelli of the
Chicago Reader gave the film one star, calling it "worthless" and remarking: "
A Time to Kill argues for vigilantism but disguises its message by making the vigilante black, allowing viewers to think their blood lust and thirst for revenge is actually empathy for the oppressed."
Peter Travers of
Rolling Stone felt that "they [Schumacher and screenwriter
Akiva Goldsman] cram[med] in too much," adding, "This distracts from the heart of the picture, which is in the bond between Carl Lee (the brilliant [Samuel L.] Jackson is quietly devastating) and Jake, a husband and father who knows he, too, would have shot anyone who raped his little girl."
Gene Siskel remarked it was "An overwrought, contrived courtroom thriller", "cornball" and concluded, "This story has been recycled out of countless better movies." Grisham enjoyed the film, remarking: "When all was said and done I was happy with it, happy we were able to find a kid like Matthew McConaughey. It wasn't a great movie, but it was a good one."
Reaction in France In France, the film has been the subject of controversy. Critics have accused the movie of making an apology for the
death penalty and
right of self-defense. A question mark was added at the end of the title ("Le Droit de tuer ?"/"The Right to Kill ?") so as not to shock the audience. Olivier Nicklaus of the cultural magazine
Les Inrockuptibles described the film as "nauseating", "stinking", almost "fascist", with an "ultra-populist" script that makes one want to "vomit". Peron Didier of
Libération criticized the script, calling it "extremely dirty": the movie, says the newspaper, "only militates in favour of the black cause to legitimize, after many plot twists (the resurrection of the Ku Klux Klan, courtroom trickery, all kinds of threats) the "insane" gesture of the avenging father". According to
Libération, the movie "justifies the indefensible" with a "dripping sentimentalism". Jean Francois Rauger of
Le Monde wrote that "the film mixes the 'politically correct' alibi of anti-racism with the justification of personal justice since the accused is black and the action takes place in a city in the South of the United States. To this moralizing ideological bombast is added an emphatic staging, for a story full of useless digressions, a characterization of the characters so crude that it borders on stupidity."
Accolades •
Golden Globe – Best Supporting Actor – Samuel L. Jackson – Nominated •
NAACP Image Award – Outstanding Motion Picture –
Won • NAACP Image Award – Best Supporting Actor in a film – Samuel L. Jackson –
Won •
MTV Movie Award – Best Female Performance – Sandra Bullock – Nominated • MTV Movie Award – Best Breakthrough Performance – Matthew McConaughey –
Won ==Soundtrack==