Noelle Sandwith

Sandwith was born in Cape Town in the Union of South Africa on 31 July 1927. She was the daughter of the English authors and photojournalists Francis and Frieda Johnson Sandwith. Among her ancestors were the surgeon William Marsden (her great, great-grandfather) and also the poet Matthew Arnold. During this period, Sandwith became proficient in sketching poses of humans and learning about the human form. ==Career==

Her first job was with a small advertising agency, where she sketched portraits of motion-picture personalities from publicity photographs, She completed several paintings of the country before returning to Sydney to seek employment. She subsequently travelled to Fiji, Samoa, and the Pitcairn Islands in 1953. Sandwith returned to Tonga to teach English at the Free Church of Tonga, and lived with a Tongan family, during her work to sketch and record the islanders' culture, earning her the name "The Drawing Girl". In 1954, she persuaded Sālote Tupou III to sit for a portrait, the first of a queen of Tonga, after a cabinet meeting of Tongan nobles convened to grant her permission for the painting. Sandwith returned to England in 1955 and lived in London. She decided to train to become a nurse, enrolling at the Royal Free Hospital from 1956 to 1959. After completing her training, Sandwith worked as a staff nurse at the St Mary's Hospital between 1962 and 1963. She continued to exhibit her sketches during this period, at the Royal Society of British Artists, the Society of Women Artists, and the Brighton Museum & Art Gallery. Sandwith spent part of 1965 sketching in Canada and also worked as a nurse in British Columbia. She later returned to London and attained employment as a health visitor in the Borough of Newham from 1972 to 1975 and Redbridge and Waltham Forest between 1975 and 1979. Sandwith continued to visit unusual places and took up courses in drawing and design and also garnered an interest in etching on copper. She eschewed photography of human subjects as she believed draughtsmanship captured better details and delivered spontaneity. ==Final years and death==

In 1993 she donated 105 sketches of her work and photographs and letters in the Birdsville Track to the National Archives of Australia. She subsequently became affected by Alzheimer's disease and was taken to a care home. In 2005 the National Museum of Australia mounted Sandwith's work on display In Search of the Birdsville Track and the exhibition toured Australia. She died on 21 April 2006. ==References==