Nora Houston

Eleanora (or Eleanor) "Nora" Clare Gibson Houston was born June 24, 1883, in Richmond, Virginia, the only child of Henry Gibson Houston, a physician, and his wife Josephine Estelle Dooley Houston. She was the niece of James H. Dooley, a Richmond attorney, financier, and philanthropist who would come to own Maymont, and Alice Dooley, a supporter of women's suffrage. Houston’s father died shortly before her second birthday. Subsequently, Dooley became Houston’s benefactor, financing both her education and her art lessons. Houston was a lifelong Catholic. == Early years as an artist ==

's post-war Blue Triangle investment campaign Houston began studying art at about 10 years old. in Logan's Franklin Street studio. There Houston would meet her "very intimate friend" and lesbian life partner Adele Goodman Clark. Houston and Clark joined the Art Club of Richmond as teenagers. Houston continued her art education with local sculptor Edward Valentine before winning a scholarship to New York School of Art (now called Parsons School of Design) in 1905. While in New York, Houston studied with William Merritt Chase, Kenneth Hayes Miller, and Robert Henri. She then traveled to Paris where she studied painting and modernism before returning to Richmond in 1909. Upon her return, Houston and Clark began teaching at the Art Club of Richmond and opened their own studio. Houston's work included portraits, landscapes depicting the Virginia countryside, African American neighborhoods and daily life, and historical paintings of early Virginia Catholic martyrs. == Work in the suffrage movement ==

Houston's time in New York and abroad inspired her art and activism as she became more aware of the social changes of the early 20th century, as well as the social injustice affecting poor and working-class people. She believed that giving women the right to vote would lead to needed reforms in education, family welfare, and public health. Houston served as the recording secretary of the league's Richmond chapter from 1914 to 1919 and traveled the state making speeches, assisting with establishing new chapters for the organization, and lobbying legislators. Houston used her artistic skills to design signs, pamphlets, and parade floats to help the league raise awareness about women's suffrage. She also drew maps of Richmond's neighborhoods for the league to use in its outreach efforts. During one speech at Monroe Park, suffrage opponents threw rocks at Houston as she spoke; she kept one of the rocks until her death. Houston and Clark also helped drive black women to the polls on election day. == Contributions to Richmond's community ==

Houston continued to paint through her years as an activist and exhibited her work locally and nationally. After the Art Club of Richmond closed, Houston and Clark opened their own atelier which would become the Virginia League of Fine Arts and Handicrafts. In 1931, the league merged with the Richmond Academy of Arts, laying the groundwork for the founding of the Virginia Museum of Fine Arts. Houston and Clark's students included Theresa Pollak, founder of VCUArts. In the late 1930s, Houston, Clark, and others established the Craig House in Richmond's downtown as a place for African American artists to create and exhibit their work. Houston's work is in the permanent collection at the Virginia Museum of Fine Arts and is also in the Johnson Collection in Spartanburg, South Carolina and the Morris Museum of Art in Augusta, Georgia. == Death and legacy ==

After an illness lasting several weeks, Houston died on February 20, 1942, at her home, 416 West Franklin Street, Richmond, Virginia. Her funeral was held at St. Peter's Church. She was buried alongside her family in Shockoe Hill Cemetery. Houston was honored by the Library of Virginia as part of its 2017 class of Virginia Women in History. Houston's name is featured on the Wall of Honor on the Virginia Women's Monument, located in Capitol Square in Richmond. == References ==