He is known for his religious sculptures and church furniture. In 1653 he collaborated with his father on the production of the high altar for the Onze-Lieve-Vrouw van de Goede Wil church of
Duffel. Van den Eynde entered in 1653 into a contract to create two statues of saints and a crucifix for the church of the
Professed house of the Society of the Antwerp jesuits. He also made the marble altars of Our Lady (1658–9) and St Nicholas (1664 and 1668; with figures of St Nicholas, St Anna, St Joseph, St Teresa of Avila and St Roch) for the church of St Nicholas in Sint-Niklaas-Waas. In 1670 he and Quellinus entered into a contract to make the altar and altar garden of the fencers' guild in
Antwerp Cathedral, completing the work commenced by Norbertus' father Huibrecht. During the execution of this project the sculptors had a number of conflicts with their patrons for non-payment of their bills. Between 1683 and 1688, Van den Eynde completed in collaboration with the Antwerp sculptor
Lodewijk Willemsens an altarpiece dedicated to
Saint Catherine for the
oudekleerkopersgilde (guild of used clothes buyers) in
Antwerp Cathedral. In 1670, van den Eynde and the Antwerp sculptor
Hendrik Frans Verbrugghen were "specifically invited for their advice" to travel to
Mechelen as consultants for works on the
St. Rumbold's Cathedral. Van den Eynde was a frequent supplier of marble plaques (used for ebony cabinets) for the
Musson and
Forchondt art dealing firms. ==References==