Norman Fucking Rockwell!

When in attendance at the 60th Annual Grammy Awards, Lana Del Rey confirmed in an interview that she had begun work on her next album. She revealed the title of one song, "Bartender", saying that she did not know if it would make the album's tracklist. In September 2018, Del Rey premiered the album's second single, "Venice Bitch", in Zane Lowe's Beats 1 show, and joined for an interview where she confirmed that the album's title and its title track would be Norman Fucking Rockwell!. She revealed that the album was nearly complete having recorded eleven tracks for it. It was later reported that the album was scheduled for an early 2019 release. In October 2018, Del Rey performed alongside Jack Antonoff, with whom she had collaborated on the record, at an Apple Music event, where she premiered the song "How to Disappear". On December 31, 2018, Del Rey teased the song "Happiness Is a Butterfly" on social media. A snippet of the album's title track was shared by Del Rey in June 2019. In July 2019, Del Rey performed at the FIB Benicàssim Festival, where she revealed that the album would be released the following month. ==Composition==

Flood Magazine described the album's sound as "a mellow soft rock" and noted Del Rey's improved lyrics tackle larger themes than her previous work. According to critics, Norman Fucking Rockwell! features "psych-rock jams" and piano-based ballads. Rob Sheffield of Rolling Stone noted the album's "Laurel Canyon '70s soft-rock fantasies", including references to Joni Mitchell and the Eagles. ==Release and promotion==

The album's cover art, release date, and track listing were announced by Del Rey on July 31, 2019. The cover art features Del Rey and Duke Nicholson—actor Jack Nicholson's grandson—posing on a sailboat, with the album title and Del Rey's initials written in a comic-inspired style. The photo was taken by Del Rey's sister Chuck Grant. The following day, Del Rey released an album trailer. On August 2, Urban Outfitters announced an exclusive vinyl of the album featuring an alternative album artwork, also photographed by Chuck Grant. Throughout 2018, Del Rey shared snippets via social media of several songs intended for the album, including "Happiness Is a Butterfly", "How to Disappear", and "Cinnamon Girl". She performed "How to Disappear" on October 29 at the Brooklyn Academy of Music, debuting the full song for the first time. Singles "Mariners Apartment Complex" was released as the album's first single on September 12, 2018. The following week, on September 18, Del Rey released the second single, "Venice Bitch" and revealed the album title. "Hope Is a Dangerous Thing for a Woman Like Me to Have – but I Have It" followed as the third single on January 9, 2019. Del Rey released a cover of Sublime's "Doin' Time" on May 17, 2019, for a documentary about the band; its music video was released on August 29, 2019, one day before the release of Norman Fucking Rockwell! A double music video for "Fuck It I Love You" and "The Greatest" was released on August 22, 2019; "The Greatest" was later released as the album's fifth single on September 13, 2019, in Italy. Tour On August 1, 2019, Del Rey announced two legs of a tour in promotion of Norman Fucking Rockwell!. The first leg took place in North America in the fall of 2019 and the second in Europe in early 2020. The European leg of the tour was subsequently cancelled due to illness. Film On December 20, 2019, Del Rey released a 14-minute-long short film featuring the songs "Norman Fucking Rockwell", "Bartender", and "Happiness Is a Butterfly". The film was directed by Chuck Grant and premiered on YouTube. ==Critical reception==

Norman Fucking Rockwell! was met with widespread critical acclaim. At Metacritic, which assigns a rating out of 100 to reviews from professional publications, the album received a weighted average score of 87, based on 28 reviews, indicating "universal acclaim". For Slant Magazine, Sal Cinquemani described the album as "a heady collection of psych-rock and piano dirges that pour into each other and rarely shift tempo from track to track" as well as "frank assessments of the psychic effects of a world spiraling into chaos." Also writing positively, Alexandra Pollard of The Independent wrote "The album is sultry and soporific, sitting somewhere between the minimalist trip hop of Del Rey’s early days, and the scuzzy desert rock she has toyed with over the years," and concluded that "This is Del Rey at her most assertive." Entertainment Weekly critic Maura Johnston said, "Del Rey digs deep into the atmospherics; her perpetually wounded drawl hovers above swooning strings and swirling synths, which rise up in extended codas and on power-ballad-worthy guitar solos". Neil McCormick of The Daily Telegraph similarly wrote that the album "reveals Del Rey to be something of a one trick pony, but what a beautiful trick it is." Rankings The album was placed in numerous year-end lists of 2019, topping those by many publications. According to Metacritic, it was the most named album in the year-end rankings of 2019 albums by critics. In 2021, Pitchfork readers voted Norman Fucking Rockwell! the 17th greatest album overall, and the best album by a female artist, of the previous 25 years. Industry awards ==Commercial performance==

Norman Fucking Rockwell! debuted at number three on the US Billboard 200 chart, earning 104,000 album-equivalent units (including 66,000 copies in pure album sales) in its first week, becoming Del Rey's sixth US top ten album on the chart. In the United Kingdom, Norman Fucking Rockwell! debuted at number one on the UK Albums Chart, selling 31,000 copies, becoming her best sales week in the country since Ultraviolence (her following album, Chemtrails over the Country Club, would open up with higher weekly sales than Norman Fucking Rockwell!). The album became Lana Del Rey's fourth number one album in the UK, tying Taylor Swift as the female artist with the most solo number one albums in the UK during the 2010s. In France, the album sold 8,000 copies in its first week, 800 more than Lust for Lifes first week. == Track listing ==

Notes • signifies someone solely credited on physical releases • signifies someone solely credited on digital releases • signifies an additional producer • physical releases of the album include an outro on "Hope Is a Dangerous Thing for a Woman Like Me to Have – but I Have It", making the length 5:58. ==Credits and personnel==

Credits adapted from official liner notes. Technical • Laura Sisk – recording engineering (1–4, 6–9, 11, 13, 14), mixing (1–4, 6–9, 11, 13, 14) • Jack Antonoff – recording engineering (1–4, 6–9, 11, 13, 14), mixing (1–4, 6–9, 11, 13, 14) • Paul LaMalfa – recording engineering (5), mixing (5) • John Congleton – recording engineering (9) • Dean Reid – recording engineering (9, 10), mixing (10, 12) • Kieron Menzies – recording engineering (9, 10, 12), mixing (10, 12) • Trevor Yasuda – recording engineering (10, 12) • Jon Sher – assistant recording engineering (1–4, 6–9, 11, 13) • Derrick Stockwell – assistant recording engineering (3) • Greg Eliason – assistant recording engineering (3) • Ben Fletcher – assistant recording engineering (4) • Billy Cumella – assistant recording engineering (4) • John Rooney – assistant recording engineering (4) • Tate McDowell – assistant recording engineering (8, 11) • John Rooney – assistant recording engineering (9) • Nicolas Jodoin – assistant recording engineering (9) • Travis Pavur – assistant recording engineering (9) • John Christopher Fee – assistant recording engineering (10) • Chris Rockwell – assistant recording engineering (10) • Ryan Hendrickson - assistant recording engineering (1, 6, 11) • Şerban Ghenea – mixing (2) • John Hanes – mix engineering (2) • Andrew Watt – mixing (5) • Chris Gehringer – mastering (1–4, 6–14) • Will Quinnell – assistant mastering engineering (1–4, 6–9, 11, 13, 14) • Dave Kutch – mastering (5) Musicians • Lana Del Rey – vocals, horns (9) • Jack Antonoff – keyboards (1–4, 6–8, 11, 13), piano (1–4, 6–8, 11, 13, 14), drums (2–4, 8, 11), programming (2–4, 6–8, 11, 13), acoustic guitar (2–4, 8, 11), electric guitar (2–4, 6–8, 11, 13), synthesizers (3), percussion (8), vibraphone (8) • Evan Smith – saxophone (1, 11), flute (11) • Phillip Peterson – baritone (1), cello (1, 6, 11), flugelhorn (1) • Victoria Parker – violin (1, 6, 11) • Laura Sisk – additional programming (2) • Josh Klinghoffer - guitar (4) • Chad Smith - drums (4) • Mikey Freedom Hart – keyboards (4), Mellotron (9), piano (9), drums (10), programming (10) • Andrew Watt – instrumentation (5), programming (5), guitar (5) • Eric Wilson – bass guitar (5) • Josh Freese – drums (5) • Bud Gaugh – drums (5) • Gayle Levant – harp (5) • Woozy Biff – harp (9) • Zachary Dawes – piano (9) • Loren Humphrey – drums (9) • Darren Weiss – drums (9) • Mike Riddleberger – drums (9) • Sean Hutchinson – drums (9) • Evan Weiss – guitar (9) • Benji Lysaght – guitar (9) • Tyler Parkford – Hammond B3 (9) • Dean Reid – bass guitar (9), keyboards (10), guitar (10), FX (10), programming (10) • Kieron Menzies – Mellotron (9), drums (10), FX (10), programming (10) • Rick Nowels – keyboards (10), acoustic guitar (10), piano (12) • Grace Wang – keyboards (1) • Zac Rae – keyboards (10) • David Levita – guitar (10) ==Charts==

Weekly charts Year-end charts ==Certifications and sales==