Saint-Ambroise, Paris

First church The first chapel on the site was constructed in 1659 by the religious order of the Convent of the Annonciades de Popincourt, which had first occupied the site on Rue Popincourt in 1636. They left their convent in 1782, and two new streets were opened at the site in 1783, rue Saint-Ambroise and rue de Beauharnais. In 1797, during the French Revolution, the church was closed and declared a national property, and was sold, but not demolished. In 1802 it was attached to the Parish of Saint_Maguerite. In August 1811 it was purchased by the City of Paris, which launched a program of restoration and enlargement under the direction of Etienne-Hippolyte Godde. The church was renamed Notre-Dame de la Procession. Unlike the traditional east–west orientation of churches, it was oriented north-south to fit into neighboring streets. The church was formally blessed on 15 November 1818. Second church (1868-70) The old church was demolished during the rebuilding carried it in the canter of Paris by Napoléon III and Baron Haussmann. It was torn down to make room for the new Boulevard Prince Eugene (now Boulevard Voltaire). A site nearby was offered for a new church at the head of the future Boulevard at the head of the new Boulevard. The new church was and work began in 1863 on new church at the head of the new Boulevard Voltaire. The new church was designed by the architect Théodore Ballu. who was designated by Napoléon III as the official city architect for religious buildings. His churches included the Église de la Trinité (1861–1867), the Saint-Esprit Temple on Rue Roquépine, and the Church of Saint-Joseph (1866–1875). He also directed the Saint-Jacques Tower restoration (1854–1858)[1] and the construction of the Saint-Denis church in Argenteuil (1866). L’Eglise de la Trinité was built between 1863 and 1868. The first mass was celebrated on 21 March 1869. The construction lasted six years and officially cost 2,217,534 francs and fifty-eight centimes. The bells were blessed on 29 April 1869 in the presence of the Empress Eugénie, who was also the patroness of one of the bells. Notable events During the Paris Commune the church was briefly transformed into a meeting hall for the Proletarian Club, where speakers advocated socialism and feminism. It was also used storage depot for munitions. On 18 March 1996 the church was occupied by about three hundred African immigrants who demanded regularization of their immigration status. After four days, and concerns about sanitary conditions, the group was ordered to leave by public authorities. When the occupants refused to leave, early in the morning the church was cleared by the police. The same group shortly afterwards briefly occupied another neighbourhood church, église Saint-Bernard. ==Exterior==

File:Jardin Truillot.jpg|The southwest facade seen from the Jardin Truillot File:Jielbeaumadier eglise st-ambroise paris 2007.jpg|The church at sunset File:Église St Ambroise Paris 4.jpg|the porch and facade File:P1300966 Paris XI eglise St-Ambroise rwk.jpg|The Chevet, or end of the nave The church was built in an eclectic style, sometimes termed Second Empire style, which combined Neo-Romanesque elements with those of the Neo-Gothic style. A similar example of the style is the Abbey of Saint-Etienne, Caen, which joined two Romanesque-style towers with Gothic spires. The church is 87 meters in length and 37 meters wide at the transept, and has two identical bell towers, each 68 meters high, close to the height of the towers of Notre Dame de Paris. The spires are octagonal, and are flanked by four pinacles and topped by two crosses of iron, and by a small form of a rooster, the symbol of the French State, which indicates the highest point of the building and is also the symbol of the French State, the owner of the Cathedral. The church is built with the hard stone of the Yonne and Meuse region for the foundations, the towers and the pillars, and the stone from the quarries of Saint-Maximin for the other elements. The porch has three doorways. The tympanum of each doorway is decorated with a painting made with vitreous enamel or porcelain enamel, an ancient Byzantine technique, These were painted by Giuseppe Devers (1823-1882). They represent allegorical figures of eloquence and theology, and a figure of Saint Ambroise. In front of the church there is a small public garden, the Jardin Truillot, which includes a sculpture honoring sixty years of Catholic Aid, donated by local residents and sculpted by G. Chance. == Interior ==

File:P1190128 Paris XI église St-Ambroise rwk.jpg|The nave, looking toward the altar File:Paris-eglise-saint-ambroise-02.jpg|The altar File:P1300989 Paris XII eglise St-Ambroise transept rwk1.jpg|The transept File:P1300995 Paris XI eglise St-Ambroise chapelle Vierge rwk1.jpg|Chapel of the Virgin The nave of the church is 87 meters long and twenty meters high. The architecture is largely Romanesque, with large cylindrical pillars topped with floral capitals, which support the arcades and an interior gallery, or triforium. == Art and Decoration ==

The art and decoration in the church is not lavish; the agreement for French-government financing of the cathedral by Napoleon III put a limit on spending for art. Despite this, the church exterior and interior contain a variety of sculptures and paintings, as well as stained glass. The facade is decorated with two large statues; "The Prophet Jeremiah" by F. Taluet and "The Prophet Ezekiel" by J. Cambos. Stained glass The stained glass in the church was made between 1866 and 1869 by the workshop of Charles-Raphael Marechal. The transept, where the nave meets the choir, is decorated with stained glass windows, as are the chapels. Many of the windows are simply decorated with geometric designs, bringing in more light, File:Messe à la chapelle de la Sainte-Vierge.jpg|The Chapel of the Holy Virgin File:Eglise St-Ambroise - vitrail - Joseph charpentier.JPG|"Joseph the Carpenter" File:Eglise St-Ambroise - vitrail - La fuite en Egypte.JPG|"The Flight into Egypt" File:Élisabeth de Hongrie Curé d'Ars.jpg|Window of Saint Elizabeth of Hungary and statue of Saint Curé of Ars. File:P1300984 Paris XI eglise St-Ambroise chapelle rwk1.jpg|Chapel of Saint Denis, with his portrait in glass Paintings within the porch Over the portals within the porch are three paintings made with Vitreous Enamel, a technique popular in Romanesque art. File:P1300981 Paris XI eglise St-Ambroise entree tympan 1 rwk.jpg|Vitreous enamel Painting of "Eloquence" over portal File:P1300982 Paris XI eglise St-Ambroise entree tympan 2 rwk.jpg|Vitreous enamel painting of Saint Ambroise. File:P1300983 Paris XI eglise St-Ambroise entree tympan 3 rwk.jpg|Vitreous enamel Painting of "Theology" Murals In the chapel of Saint-Augustine in the transept displays four murals depicting scenes from he life of Saint Augustine painted by Jules-Eugène Lenepveu. His paintings are found. in several of the churches built by Emperor Louis-Napoleon. In the left chapel of the transept one mural depicts Saint Augustine reconciling the Catholics and the Donatists at the Council of Carthage. The second shows Saint Augustine stopping the practice of having parents fight as practice for war. In the right chapel of the transept are two other paintings of Lenepveu; "Saint Augustine bearing entry to the church in Milan to the Emperor Theodosius"; and "Saint Ambroise turns over sacred vases to purchase the freedom of prisoners." File:Saint Augustin au concile de Carthage - Tableau de Lenepveu - Eglise Saint-Ambroise Paris.jpg|"Saint Augustine reconciles Catholics and Donatists" by Jules-Eugène Lenepveu File:Saint Ambroise interdisant l'entrée de l'Eglise à l'empereur Theodose- Eglise St Ambroise - Tableau de Lenepveu.jpg|"Saint Augustine bars entry to the church of Milan to the Emperor Theodosius "by Jules-Eugène Lenepveu File:Saint Ambroise livrant les vases sacrés de son église pour le rachat des prisonniers - Eglise saint-Ambroise- Paris- Tableau de Jules Lenepveu.jpg|"Saint Augustin gives sacred vases from his church to purchase freedom for prisoners" by Jules-Eugène Lenepveu(Lenepveu) File:Saint Augustin faisant cesser l'usage de se battre entre parents pour s'exercer - Eglise Saint-Ambroise - Peintre Jules Lenepveu.jpg|"Saint Augustine stops children from practicing for war", by Jules-Eugène Lenepveu The chapel of Saint-Augustine in the transept displays four murals depicting scenes from he life of Saint Augustine painted by Jules-Eugène Lenepveu. His paintings are found. in several of the churches built by Emperor Louis-Napoleon. In the left chapel of the transept one mural depicts Saint Augustine reconciling the Catholics and the Donatists at the Council of Carthage. The second shows Saint Augustine stopping the practice of having parents fight as practice for war. In the right chapel of the transept are two other paintings of Lenepveu; "Saint Augustine bearing entry to the church in Milan to the Emperor Theodosius"; and "Saint Ambroise turns over sacred vases to purchase the freedom of prisoners." == Decorative Works ==

P1300986 Paris XI eglise St-Ambroise choeur rwk1.jpg|Altar with baldequin (Canopy) and chandelier P1310007 Paris XI eglise St-Ambroise statue rwk1.jpg|Statue of Saint John the Baptist (19th c.) P1310008 Paris XI eglise St-Ambroise benitier rwk1.jpg|Bénitier (Holder for Holy Water) P1310005 Paris XI eglise St-Ambroise cuve baptismale rwk1.jpg|Baptismal Font == Grand organ ==

The grand organ on the tribune over the entrance was built by the firm of Merklin-Schutze in 1869. It features 32 "jeux" or notes, three keyboards and foot pedals. A smaller organ is located in the choir behind the altar. also made by Merklin. It has thirteen "jeux" on two manual keyboards, and foot pedals. File:P1190131 Paris XI église St-Ambroise orgue rwk.jpg|Site of the main organ, over the portal File:P1190130 Paris XI église St-Ambroise orgue rwk.jpg|The main organ, in the tribune (1869) File:P1300994 Paris XI eglise St-Ambroise orgue choeur rwk1.jpg|Choir organ of St. Ambrose == Bells ==

The three bells of the church are hung in the tower on the right. They are named Sainte Eugenie (1650 kilograms); Sainte Marie (1,100 kilograms) and Sainte Catherine (816 kilograms). == Notes and citations ==