'Color organ' The name for her art,
Nourathar, was adapted from the Arabic words for
light (nour), and
essence of (athar). Unlike earlier inventors of color-music such as the painter
A. Wallace Rimington, Hallock-Greenewalt did not produce a strict definition of correspondence between specific colors and particular notes, instead arguing that these relationships were inherently variable and reflected the temperament and ability of the performer. Her earliest attempts at creating this art entailed her construction of an automated machine where colored lights were synchronized to records. This produced an unsatisfactory result, leading to her development of an instrument that could actually be played live. Her
color organ, which she named "Sarabet" after her mother, required her to invent a number of new technologies. She received nine patents from the US Patent office for them. Among these devices was a non-linear variety of
rheostat, a patent that was infringed by
General Electric and other companies. She sued them for infringement and won in 1934. The
Sarabet went through a series of refinements between 1916 and 1934.
Hand-painted films Michael Betancourt has noted Hallock-Greenewalt also produced the earliest
hand-painted films known to still exist. However, these were not
movies but films produced specifically to be performed by her earliest version of the Sarabet which was a machine for automatic accompaniment to records. Its construction, where a single viewer looked down into the machine at the film itself, resembled
Edison's kinetoscope. This device was an early
music visualizer of the type now included with computer audio-players. Even though these films were not designed to be motion pictures, they were produced with templates and aerosol sprays, producing repeating geometric patterns in the same way as the hand painted films of
Len Lye from the 1930s. ==See also==