Box office Obvious Child earned $3,123,963 at the box office in 18 weeks. It also earned $197,361 and $4,093 in the United Kingdom and New Zealand respectively, making a total gross of $3,325,417.
Critical response On
Rotten Tomatoes, the film has an approval rating of 90% based on 168 reviews, with an average rating of 7.3/10. The critical consensus from the website states, "Tackling a sensitive subject with maturity, honesty, and wit,
Obvious Child serves as a deeply promising debut for writer-director Gillian Robespierre." On
Metacritic, the film has a score of 76 out of 100, based on 35 critics, indicating "generally favorable reviews".
Peter Travers described
Obvious Child as "uniquely special" in
Rolling Stone, while
The Washington Post Ann Hornaday described it as "one of the most startlingly honest romantic comedies to appear onscreen in years".
Ty Burr of
The Boston Globe found the characters sympathetic and realistic, and enjoyed the humor.
The New York Times chief critic
A. O. Scott praised the film for striking a balance between humor and sentimentality, writing, "It's both funny and serious without trying too hard to be either, and by trying above all to be honest." Peter Debruge described Jenny Slate as "wildly funny" in
Variety, while Marc Mohan called her performance "endearing and real" in
The Oregonian.
The Hollywood Reporter Todd McCarthy was also impressed by Slate's performance and opined that the supporting cast members were equally impressive. Numerous critics praised
Obvious Child for its portrayal of abortion, including
Dana Stevens of
Slate, who wrote that the way Donna's abortion was portrayed was humane and politically neutral but also that the film, "for all its lightness of tone, is radical". In a review for
The Guardian, Xan Brooks described the film as "fresh and funny and really rather brave" for handling a controversial topic that other filmmakers routinely avoid.
New York critic
David Edelstein called Robespierre "brave enough to be ambivalent" in choosing not to include a blatant political message in the film. The
San Francisco Chronicle Mick LaSalle similarly concluded that "If the movie has a political statement, it's a subtle one"; he also praised the film for treating the topic sincerely while still maintaining a humorous tone. Conversely, Michelle Golberg suggested in a review for
The Nation that the film's popularity with critics was not due to its quality but rather its taboo subject matter: "If the ordinary drama of abortion were more regularly represented in the movies,
Obvious Child wouldn't be much more than an amusing hipster diversion." Kate Taylor of
The Globe and Mail expressed a similar sentiment and opined that many of the film's jokes were crude and lacking in humor.
USA Today Scott Bowles also found
Obvious Child unfunny, describing the characters as "so morbid and whiny that the jokes don't work, even as irony". The film was criticized by a variety of conservative and
anti-abortion groups and publications. In an article for
The Human Life Review, Mary Rose Somarriba dismissed the film as "obvious propaganda". Katelyn Beaty, meanwhile, who reviewed
Obvious Child for
Christianity Today, wrote: "While I ultimately disagree with Robespierre's political aims, at the least she has provided a sometimes funny, often tender portrait of many (though not all) women who face an unplanned pregnancy."
Accolades ==References==