Oleg Kroshkin had a unique position amongst his peers of the second , the first being École de Paris members
Marc Chagall,
Chaïm Soutine,
Michel Kikoine,
Pinchus Kremegne,
Ossip Zadkine,
Jacques Lipchitz, and Ossip Lubitch—all from
Belarus. Despite insecurities that otherwise plagued artists, Oleg Kroshkin had already built a heady and successful stature as a Pop Art Artist, having his works in
Tretyakov Gallery,
New Brunswick New Jersey,
New York City, and
Koln museums, with international collectors queuing for his works. He was frequently morose, even feeling deep emotion when having completed an artwork. His life and work embodied contradictions as he was driven to succeed, yet often tried to resolve his anxieties with alcohol. His personality was one to rebel violently against mediocrity, which caused him irritation and unpredictable panic in his life. Myths, facts, fiction in Kroshkin's life and work, there was room for spiritual transformation, ingenuity, obscene money, indifferent disdain for and denunciation of oppression, coupled with readiness to hold power up to ridicule, with a lot of creativity. He listened to pop music, rap and jazz and he worked here and there on sketch papers, while he also incorporated current newspapers into his canvasses. He used his creativity to amuse, and had a buffoon's instinct as a creative genius. And yet his genius was coupled with chronic self-loathing, especially after his brother, returning from Moscow, died after visiting him. After his brother's death, he lost interest in painting and fell into a period of decline. Despite some prominent works, his art essentially dimmed along with him, and ultimately blinking out with his death in October 2020. He had sometimes terrible bouts of depression with flashes of exceptional creativity in his pop art pieces, which provided him some consolation. His fitful absences from painting however, gradually led him to repetition or variations of classic drip works in his art. His paintings display great bursts of shameless, ambitious excess mixed with frustration and anger. Kroshkin's works demonstrated sarcasm, love, family, sex, religion and oppression, which he considered extremely important. == Museums ==