The Double received mostly negative reviews from critics. The film holds a approval rating on
Rotten Tomatoes, based on reviews, with an average score of . The website's critics consensus reads, "Riddled with hollow characters and ludicrous plotting,
The Double just isn't worth the trouble." Stephanie Merry of
The Washington Post gave note of Brandt's scripting of the story, saying that "questionable motives and unbelievable decisions are relatively small potatoes compared with the Sputnik-size plotholes." She also gave credit to his style of direction for having "sweeping shots of the nation's capital, along with some claustrophobic shots that add anxiety to early scenes" but said that "It's not enough to boost up this botched attempt to tinker with something that, while predictable, is at least dependable." Randy Cordova of
The Arizona Republic criticized Brandt's direction and screenwriting for lacking any "menace or mystery to the proceedings" and its two main leads' characters for having no chemistry and feeling by-the numbers, saying that, "With its convoluted plot and fading stars,
The Double feels like a straight-to-DVD feature that somehow sneaked onto the big screen. It's simply not very good." In a review for
the A.V. Club, Noel Murray gave the film a "C−". He felt that Brandt and Haas waste their premise by setting it up like "a typical episode of any basic-cable action series" saying that "while it holds a few surprises, the twists feel writerly, not organic."
Roger Ebert highlighted Gere's "subtle catlike body language" in his performance that displays his well-worn screen presence but was critical of Brandt and Haas's script containing thriller clichés and "familiar action-movie tropes" compared to their previous effort
3:10 to Yuma, concluding that it "doesn't approach it in terms of quality. None of it is particularly compelling. Most of the time we're waiting for the other shoe to drop. When, very late in the film, the screenplay comes up with a third shoe, that's going too far."
Paste writer Annlee Ellingson gave the film praise for being "a throwback genre flick, complete with a throwback lead that gives away its double cross early yet maintains enough mystery to keep viewers moderately intrigued." ==References==