On
review aggregator website
Rotten Tomatoes, the film holds an approval rating of 71% based on 14 reviews.
Roger Ebert gave the movie four stars of four. Eleanor Ringel of the
Atlanta Journal-Constitution called it a "fine new film" that "pays tribute to a generation of African-Americans who never got a break coming or going" and described Reid as "a graciously unobtrusive director."
Kevin Thomas of the
Los Angeles Times also commented favorably on the film, calling it "a beautifully wrought film in all its aspects [that] glows with an array of beautiful, selfless performances." David Hinckley of the
Daily News in New York said that "The pace of 'Once Upon a Time' is deliberate, like a Southern summer, and its direction conservative, making it resemble at times a good TV movie. It even echoes, a bit, the fine TV series 'I'll Fly Away'—except this time, it tells the black story from the black point of view, filled out to be warm, rich and human."
Stephen Holden of
The New York Times described the film as "an unabashedly nostalgic portrait of the black rural South. For all the hard times and the continuous threat of lynching faced by the movie's working-class characters, many of whom have spent their lives picking cotton, they compose a remarkably cohesive and vital community." Terry Lawson of the
Detroit Free Press remarked: Gary Thompson of the
Philadelphia Daily News called it "a warm, pastoral picture that would seem utterly commonplace were it not so uncommon in the context of movies for African-Americans." Bob Fenster of
The Arizona Republic gave the film four stars and said that Reid "shows social conscience and talent as a filmmaker: choosing a large, intricate story for his first film." Harper Barnes of the
St. Louis Post-Dispatch said that it "powerfully and truthfully evokes what it was like, 40 or 50 years ago, to grow up in a small town in the South." Stephen Hunter of
The Baltimore Sun added that "Reid, working from a screenplay by Paul W. Cooper, never preaches, hectors or lectures, but he makes his point. This isn't an atrocity exhibition, but more an examination of the subtleties of discrimination." Jeff Strickler of the
Star-Tribune gave the film a four-star rating, and described it as "a film that is as low-key as a neighborhood stroll on a warm summer evening. And every bit as pleasant." Tony Norman of the
Pittsburgh Post-Gazette gave the film three-and-a-half stars, and called it "one of the best films to come around this year because of its non-traditional view of blacks as supremely capable of working toward positive solutions to their dilemma." Craig Kopp of
The Cincinnati Post said that the movie displayed "unvarnished story-telling that lets the events it recalls carry the message of its time." In a mixed review, Barry Walters of the
San Francisco Examiner said that "it has the small-scale look and episodic pacing of TV, but lacks the sustained intensity that makes a movie work without the commercial (and bathroom) breaks." In another mixed review, Mick LaSalle of the
San Francisco Chronicle described it as "an intelligent, sincere film that's unfortunately torpedoed by a lack of narrative drive"; he also said that "director Tim Reid gets strong performances from his cast" but that "the slow pace Reid adopts ultimately tests the viewer's patience." At the 1997
NAACP Image Awards film received two nominations: for
Outstanding Motion Picture, and
Outstanding Actress in a Motion Picture (Phylicia Rashad). It also received
American Black Film Festival Award for Best Film. ==References==