Critics called the story portions frothy and lightweight, but saved their praise for Abbott and Costello.
Film Daily: "Audiences will find
One Night in the Tropics diverting enough, and it should be well received by patrons in situations generally. The opus isn't of particularly heavy gauge as musicals go, but it has enough to commend it solidly. There are humorous situations poised to tickle the film fan, and the duo invested chiefly with this duty is the Bud Abbott-Lou Costello combo so popular on the airwaves. The clowns do their baseball bit and other belly-laugh routines, and do them well."
Motion Picture Herald: "What with the Abbott-Costello duo of
Kate Smith's radio hour known but not seen by millions of citizens, a point for showmen to underscore in behalf of this musical comedy is that the comedians, in making their debut on the screen, forfeit none of their effectiveness but add to it, Showmen who inform their customers that these zanies stop the film in each of these interludes will be within the facts."
Photoplay: "Strictly nonsense, but the antics of Abbott and Costello are so funny and the film is so lighthearted that you'll be very entertained." The theater owners' general consensus was the same as the critical response: "Abbott and Costello save this one from flopping. Our patrons won't go for this kind of music." (Robert F. Nettle, Crandon, Wisconsin). Some exhibitors who enjoyed excellent business with Abbott and Costello's first starring film,
Buck Privates, played
One Night in the Tropics late (during the fall of 1941, almost a full year after its release) to cash in on the team's new popularity. ==Re-release==