The Chicago Symphony Orchestra has amassed an extensive discography. Recordings by the Chicago Symphony Orchestra and the
Chicago Symphony Chorus have earned sixty-five
Grammy Awards from
the Recording Academy. These include several Classical Album of the Year awards, awards in Best Classical Performance in vocal soloist, choral, instrumental, engineering and orchestral categories. On May 1, 1916,
Frederick Stock and the orchestra recorded the Wedding March from
Felix Mendelssohn's music to ''
A Midsummer Night's Dream'' for
Columbia Records. Stock and the CSO made numerous recordings for Columbia and the
Victor Talking Machine Company/
RCA Victor. The Chicago Symphony's first
electrical recordings were made for Victor in December 1925, including a performance of
Karl Goldmark's
In Springtime overture. These early electrical recordings were made in Victor's Chicago studios; within a couple of years Victor began recording the CSO in Orchestra Hall. Stock continued recording for Columbia and RCA Victor until his death in 1942. In 1951,
Rafael Kubelík made the first modern
high fidelity recordings with the orchestra, in Orchestra Hall, for
Mercury. Like the first electrical recordings, these performances were made with a single microphone.
Philips has reissued these performances on compact disc with the original Mercury label and liner notes. In March 1954,
Fritz Reiner made the first stereophonic recordings with the CSO, again in Orchestra Hall, for RCA Victor, including performances of two symphonic poems by
Richard Strauss:
Ein Heldenleben and
Also sprach Zarathustra. Reiner and the orchestra continued to record for RCA Victor through 1963. These were mostly recorded in RCA Victor's triple-channel "Living Stereo" process. RCA has digitally remastered the recordings and released them on CD and SACD.
Jean Martinon also recorded with the CSO for RCA Victor during the 1960s, producing performances that have been reissued on CD.
Sir Georg Solti recorded with the CSO primarily for
Decca Records. These
Solti recordings were issued in the U.S. on the London label and include a highly acclaimed
Mahler series, recorded, in part, in the historic
Medinah Temple—some installments were recorded in the
Krannert Center for the Performing Arts at the
University of Illinois (in
Urbana), as well as in the
Sofiensaal in Vienna, Austria. Many of the recordings with
Daniel Barenboim were released on
Teldec. In 2007, the Chicago Symphony formed its own recording label,
CSO Resound. After an agreement was reached with the orchestra's musicians, arrangements were made for new recordings to be released digitally at online outlets and on compact disc. The first CSO Resound CD, a recording of
Haitink's rendition of Mahler's Third Symphony, was released in the spring of 2007. Releases that followed included Bruckner's Seventh Symphony, Mahler's Sixth Symphony, and Shostakovich's Fourth Symphony (Grammy winner), all conducted by Haitink; Shostakovich's Fifth Symphony led by
Myung-Whun Chung; "Traditions and Transformations: Sounds of Silk Road Chicago" with the Orchestra's Judson and Joyce Green Creative Consultant
Yo-Yo Ma (Grammy winner); and recordings of Verdi's
Requiem (Grammy winner) and
Otello, under the direction of Muti. The Chicago Symphony Orchestra and Chorus have recorded the music for two movies:
Fantasia 2000 conducted by James Levine and
Lincoln conducted by John Williams. Selections from the orchestra and chorus's recording of
Johann Sebastian Bach's
St Matthew Passion, conducted by Sir Georg Solti, were used in the movie
Casino. ==Broadcasts==