The majority of organists, amateur and professional, are principally involved in
church music, playing in churches and cathedrals. The
pipe organ still plays a large part in the leading of traditional
western Christian worship, with roles including the accompaniment of
hymns, choral
anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nevertheless, some churches are fortunate to have trained organists capable of more elaborate "voluntaries" (the solo music before, during and after the service) and
improvisation. As most churches can afford to employ only one musician, the organist is usually also responsible for directing and rehearsing the
choir(s). In the twentieth-century, many pipe organs were replaced by pipe-less
electronic and digital organs, often as a low-cost alternative to rebuilding older pipe organs. In the English
cathedral tradition the organist is now generally called "Director of Music", although their function is mainly in the training and direction of music rather than actual playing; there will generally be one or more assistant or sub-organists who play for most services and some recitals. Sometimes the organist will be assisted by an
organ scholar. The post of organist at most of the great cathedrals includes recital work and choral training. Another function of an organist is often as teacher to future players. Few organists hold historically special positions such as
Raùl Prieto Ramitez who is the Civic Organist of San Diego, the last true Civic Organist position still active in the US. in
Koncerthuset, Copenhagen Since the strengths and weaknesses of the organ are difficult to understand without a good deal of playing experience, most music composed for organ has been written by organists. Since the majority of pre-twentieth-century organs were installed in churches, classical organ literature was almost exclusively written for liturgical use. Many composers, therefore, are equally known for their performance talents, some historical examples being
Johann Sebastian Bach,
Dieterich Buxtehude,
Felix Mendelssohn,
Franz Liszt,
César Franck,
Camille Saint-Saëns,
Charles-Marie Widor,
Louis Vierne,
Marcel Dupré and
Maurice Duruflé, as well as
improvisers such as
Charles Tournemire,
Pierre Cochereau,
Pierre Pincemaille or
Thierry Escaich. In Europe, the historical importance of churches as employers of musicians meant that many composers who now are very seldom remembered for their association with the organ were, nevertheless, engaged as professional organists: for example,
Wolfgang Amadeus Mozart and
Edward Elgar.
Ancient titles still in current use In English churches, chapels and cathedrals the Organist may also be known as
Master of the Choristers,
Choirmaster or
Director of Music; however, there are some ancient titles still in current usage: •
Magdalen College, Oxford –
Organist and Informator Choristarum •
Savoy Chapel –
Master of the Music •
York Minster –
Master of the Music •
Westminster Cathedral –
Master of Music •
Chichester Cathedral –
Organist & Master of the Choristers •
Southwell Minster –
Rector Chori •
Armagh Cathedral –
Organist & Master of the Boys •
Church of St. Mary Magdalene, Newark-on-Trent –
Master of the Song School ==Theatre organists==