Origin of the harp in Europe

The connection of Scotland its love of stringed instruments is both ancient and recorded. A bridge thought to be from an Iron Age lyre, and dating to around 300 BC, was discovered on the Isle of Skye which would make it the earliest surviving stringed instrument from western Europe. The earliest descriptions of a European triangular framed harp i.e. harps with a fore pillar are found on carved 8th century Pictish stones. Pictish harps were strung from horsehair. The instruments apparently spread south to the Anglo Saxons who commonly used gut strings and then west to the Gaels of the Highlands and to Ireland. Exactly thirteen depictions of any triangular chordophone instrument from pre-11th-century Europe exist and twelve of them come from Scotland. Moreover, the earliest Irish word for a harp is in fact 'cruit', a word which strongly suggests a Pictish provenance for the instrument. Only two quadrangular instruments occur within the Irish context on the west coast of Scotland and both carvings instruments date two hundred years after the Pictish carvings. One study suggests Pictish stone carvings may be copied from the Utrecht Psalter, the only other source outside Pictish Scotland to display a Triangular Chordophone instrument. The Utrecht Psalter was penned between 816 and 835 AD, While Pictish Triangular Chordophone carvings found on the Nigg Stone dates from 790–799 AD. and pre-dates the document by up to thirty-five to forty years. Other Pictish sculptures predate the Utrecht Psalter, namely the harper on the Dupplin Cross c. 800 AD. File:DupplinHarper.jpg|The harper on the Dupplin Cross, Scotland, circa 800 AD File:Monifeithpictishharper.jpg|The harper on the Monifeith 4 Pictish sculpture, Scotland, 700–900 AD ==French origins==

:See Rotte for harp lookalike of same period The earliest drawings of triangular-frame harps appear in the Utrecht Psalter, written and illustrated in the early 9th century from a scriptorium in Rheims. Ten of the illustrations show figures holding harp-like instruments, and in six of them the forepillar is clearly shown. The Utrecht Psalter was penned between 816–835 AD. a cythara, and rope. File:Harley Psalter folio 24v instruments.jpg|Image from Harley Psalter, 1000-1050 A.D. The English artist, copying Utrecht Psalter, drew harps with more detail; the art possibly showed development of the instrument, or else better knowledge of the artist. File:Harley Psalter folio 28r cropped for harper.jpg|Harper, 11th century A.D., England, from the Harley Psalter folio 28r ==Similar Irish instruments==

, County Kilkenny, Ireland. 1905 illustration of sculpture. Called harp, but also resembles a lyre. The stone carvings attested to Ireland are all found within a Christian context and the majority of carvings depict lyres or quadrangular ecclesiastical instruments that date from the 8th to the 12th century. However lyres are physically different instruments from triangular harps and it is unlikely the characteristic medieval harp developed from them. Early Irish monastic settlements prized the use of lyres within an ecclesiastical setting and the instruments depicted, come in a variety of shapes and sizes and tend to be lyres rather than characteristic triangular harps. Irish hymn texts of the period refer to the performance of hymns and psalms as being accompanied by a lyre and Gerald of Wales cites the "Cythera" Kithara of St Kevin playing by Irish abbots and bishops for chants and funeral lamentations. Such instruments were prized in Ireland well into the 12th century. From an Irish perspective, three distinct forms of lyre are evident; round top lyres as seen in the crosses at Ullard shows a quadrangular instrument with no forepillar, and round topped lyres were common throughout northern Europe between the (5th–10th century) as can be seen in surviving examples namely the Sutton Hoo treasure hoard. The carving at Monasterbonice county Louth does show a type of chloroform triangular instrument, however the stone is weathered and unclear if the figure is playing a true triangular harp, The influx of English harpers to Ireland is also recorded in the Red Book of Ormond, Although, it is clear these musicians were playing a triangular English harp as seen by a sketch in the margin of the Harper Thomas Le Harpur (c1200), it is unclear if such an influx lead to a possible cross pollination between the invading Anglo-Norman and Irish harpers. ==Pre-European origins==

The knowledge and designs of harps and lyres probably arrived in ancient Europe via Grecian regions from the ancient Middle-East. This may have been happened as early as in the peak times of the Celtic civilization, as suggested by the lyre fragment found at the High Pasture Cave site, dated to approximately 300 BCE. It is not unreasonable to draw a connection between this finding and the extended contacts that Celtic peoples, at their greatest expansion in the had with southeastern Europe, where lyres and similar instruments were widespread, and even more precisely, to the migration of Celtic tribes (Galatians) to Anatolia of 278 BCE. ==Footnotes==