Orpiment has historically been used in artworks in many locales in the
Eastern Hemisphere. It was one of the few clear, bright-yellow pigments available to artists until the 19th century.
Historical and regional use of orpiment In Egypt, lumps of orpiment pigment have been found in a fourteenth-century BC tomb. In China, orpiment is known to have been used to color Chinese
lacquer, despite no written sources mentioning this. Orpiment has also been identified on Central Asian
wall paintings from the sixth to the thirteenth centuries. In a traditional Thai painting technique, still in use today, yellow ink for writing and drawing on black paper manuscripts is made using orpiment. Medieval European artists imported orpiment from Asia Minor. Orpiment has been identified on Norwegian wooden
altar frontals, polychrome sculptures, and folk art objects, including a
crucifix. It was also used in twelfth- to sixteenth-century
Eastern Orthodox icons from Bulgaria, Russia, and the former
Yugoslavia. In
Venice, records show that orpiment was purchased for a Romanian prince in 1600. European use of orpiment was uncommon until the nineteenth century, during which it saw use as a pigment in
Impressionist paintings.
Tintoretto's
Portrait of Vincenzo Morosini from about 1575–80 uses the pigment in its details. Orpiment is used to replicate the gold embroidery on
Morosini's embroidered stole and to highlight the fur of the spotted ferret on his chest. == Other historical uses ==