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Otherworld

In historical Indo-European religion, the concept of an otherworld, also known as an otherside, is reconstructed in comparative mythology. Its name is a calque of orbis alius, a term used by Lucan in his description of the Celtic Otherworld.

Indo-European reconstruction
Many Indo-European mythologies show evidence for a belief in some form of "Otherworld". In many cases, such as in Iranian, Greek, Roman, Germanic, Celtic, Slavic, and Baltic mythologies, a river had to be crossed to allow entrance to it, and it is usually an old man that would transport the soul across the water. The Celtic concept of the Otherworld became intertwined with the Christian ideas of hell and heaven, as they were explained via analogy to the Celtic Otherworld, or the Scandinavian world tree. This is likely because of Roman and Scandinavian influences on Celtic cultures. An example of Scandinavian influence is apparent in the Voyage of Saint Brendan, from the likeness of Lasconius the serpent to the Scandinavian Midgard Serpent. Red and white are the colors of animals in the Celtic Otherworld, and these colors still animate transcendent religious and political symbols today. Germanic As was the case in the Celtic mythologies, in Germanic myths apples were particularly associated with the Otherworld. In the Scandinavian tradition mythological localities are featured, as in Irish mythology; however, unlike Irish mythology, an attempt was made to map the localities of the Otherworld rather than list locales associated with it. In the Edda, many locations are named, including the dwellings of the gods, such as Odin's hall of Valhalla, or Ullr's dwelling of Ydalar ("Yewdale"). It was also said that spring arrived on Earth from Vyraj. The gates of Vyraj stopped mortals from entering. They were guarded by Veles, who sometimes took the animal form of a raróg, grasping in its claws the keys to the otherworlds. Vyraj was sometimes also connected to the deity known as Rod – it was apparently located far beyond the sea, at the end of the Milky Way. Greek In Greco-Roman mythology the Gods were said to dwell on Mount Olympus, whereas the dead usually went to the Underworld, Fortunate Isles, or Elysium for the righteous after death. In Hades, Cerberus serves as its guard; preventing the dead from leaving. == Modern depictions ==
Modern depictions
The idea of the Otherworld has been adapted and used by several modern authors. J. R. R. Tolkien drew upon the Sir Orfeo text, which depicts a journey to the Otherworld, as inspiration for the Mirkwood Elves of The Hobbit. C. S. Lewis also drew upon the tropes of the Celtic Otherworld in his creation of The Chronicles of Narnia, which depicts the journey from this world to another. Stephen R. Lawhead's Song of Albion trilogy tells the story of an Oxford student who crosses over into the Otherworld. ==See also==
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