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Our Lady of Caysasay

Our Lady of Caysasay is a Roman Catholic Title of the Blessed Virgin Mary associated with an image of the Mother of God venerated at the Archdiocesan Shrine of Our Lady of Caysasay in Taal, Batangas, Philippines. The image depicts the Immaculate Conception is believed to be one of the oldest in the country, originally discovered in 1603 by a native man fishing in the Pansipit River. The subsequent Marian apparitions documented by Spanish colonial church leaders were the first in the country; devotees today continue to attribute miracles to the Virgin.

Description
The wooden image measures , shows the Virgin as tilting slightly forward, her hands clasped across her breasts below her right shoulder. One eye is slightly bigger than the other. It was found wearing a simple, red tunic gathered above its waist that billowed into huge folds around the ankles, and clad in a green shawl. The report and documentation of the apparitions of 1611—1619 and 1639, are unique in Philippine Church annals as they are believed to be the first Marian apparitions in the Philippines. In those days, the country was under the autonomous Mexican vicariate; Father Casimiro Díaz, who confirmed the apparitions and miracles, was a deputy of the order's Mexican center. ==History==
History
Discovery In 1603 in Caysasay, which was a small barangay of Taal, a fisherman called Juan Maningcad cast his net into the Pansipit River instead of the sea. When he drew in his net, he caught a small, wooden image of the Blessed Virgin Mary less than a foot high. Though waterlogged, the image had a heavenly lustre, causing the pious Maningcad to prostrate himself and pray before the statue, which he then brought home. The precise origins of the image and why it was in the river remain unknown. One theory is that the image was cast by a Spanish expedition into rough seas off Batangas during an expedition to pacify the waters, and that it was somehow pushed upriver. Another opinions are it was inadvertently dropped by someone exploring the river, or that it came from China. News of the image began to spread until it reached the parish priest, Fray Juan Bautista Montoya, and the vicar that represented the reigning King of Spain. They went to Maningcad's house to investigate, and upon seeing the image, knelt down in veneration. Disappearances Doña María Espíritu, the widow of the town's judge, was assigned as the image's camarera or caretaker. She ordered that a precious urna (a wooden, canopied shrine that sometimes has glass panes) be made for the image and kept it in her home. Every evening, she noticed that the image was missing from its urna, returning the next morning. The worried matron told this to the priest, who accompanied her back to her house and saw the urna was indeed empty, only to suddenly open as the image appeared before them. The priest gathered volunteers to keep vigil beside the image, and they reported how in the night they would see the urna open by itself, and the image leaving and coming back again. The priest had the villagers come with lit candles and follow the image the next time it left. When this happened, they were led to Caysasay, where it was originally found. The priest decided to take the image to the Basilica of Saint Martin of Tours for safekeeping, but the image continued to leave the church until one day it disappeared and was nowhere to be found. The news reached a native named Juana Tangui, from the town of Bauan who was the servant of Don Juan Mangabot, one of the town's prominent natives. She was a simple, devout woman who had been suffering for a long time from a burning sensation in the eyes, leaving her almost blind. Her eyes could not be healed by the many remedies that had been applied to it, so she was resolved to go to the rock where people said the Blessed Virgin appeared. She went accompanied by one of her master's daughters to that place where the ray of light was first seen. She had also heard that everyone who bathed in the small stream was cured of any sickness of which they may have been suffering. For this reason, she bathed in the stream in the company of nine or ten other people doing the same. During the entire time of her bath, she noticed an unusual shadow by her side, though there was neither sun nor moon that could cause it, since it was already evening and it was very dark. After some time she felt that someone was holding her and turning her body. When she turned to the place toward which she was being turned, she saw a great light, like that coming from an enormous lit candle, which caused her great wonder. But she did not dare to move forward in order to examine what she had seen. She went to a nearby field where she recounted what had happened to some native women. But they told her to return and to examine closely what it was. Since she said that she could not see very well, on account of her eye disease, they offered a young servant to accompany her to that place. The recent account of Fr. Cruz is similar but says it was a young servant boy who was sent back with Juana. Upon arriving at the spot, she made the girl kneel down. Juana walked further and saw a very bright light and the image of our Lady, almost two palm measurements in height, dressed in white, with a crown on her head and a cross on her forehead. The image seemed to be alive, as it was moving and blinking. When the native woman moved closer to her, the image spoke to her, thanking her for remembering her and coming back to see her. Juana declared that the apparition told her, The native woman returned to the town, and did not tell anyone about what had happened until she had spoken with Fr. Juan Bautista Montoya, prior of the Taal convento. She reverently asked him for the belt of or cincture the Confraternity, and after spending eight days in confession, the prior vested her in the belt. They honoured the Virgin of Caysasay with cannon fire as they passed by her shrine close to the river. The violent 1754 eruption of Taal Volcano, which lasted over eight months, saw ejecta from the volcano destroying towns around the lake, and covering the landscape with layers of deposits. The townspeople of Taal and their parish priest, fled the capital and sought refuge at the Church of Our Lady of Caysasay. Layers of ejecta and deposits blocked the entrance of the Pansipit River, eventually raising the waters of the lake, and permanently flooding part or all of Tanauan, Lipa, Sala, Bauan and Taal. All five towns relocated to much higher ground, away from the volcano and lake, with present town center of Taal established on a hillside near the Caysasay Shrine above Balayan Bay. The townspeople believed the image had saved them during eruptions of Taal Volcano. The old town center is now the present San Nicolas, Batangas. Eventually, a considerably narrower and shallower Pansipit River was formed as volcanic deposits rendered it impassable for large ships. Bombon Lake, later renamed Taal Lake, slowly transformed from saline to a freshwater lake. ==Pontifical coronation==
Pontifical coronation
Pope Pius XII issued a pontifical decree of coronation on 21 November 1954 to the Archbishop of Lipa, Alejandro Olalia y Ayson. The papal bull was signed by the Secretary Deacon of the Vatican Chapter, Giulio Carlo Rossi, and notarized by the Guardian Chancellor of the Vatican Chapter, Monsignor Ferdinand Prosperini Joseph Calderari. On 8 December 1954, the coronation rites were presided by the Archbishop of Santiago de Compostela, Cardinal Fernando Quiroga Palacios. ==Santa Lucia Well==
Santa Lucia Well
This old, spring-fed well where María Bagohin and María Talain saw the reflection of the Virgin of Caysasay is known as the Balón ng Sta. Lucia (Well of Saint Lucy), which was where public devotion to the Virgin of Caysasay was initially centred. A beautifully carved coral stone arch with a bas relief of the Virgin on the façade was constructed over the spring, which is on the slope of a hill near the church, forming twin wells. The exact reasons for Saint Lucy's connection to the spring has been lost, as is the actual date of the well's construction. The site of the well is known as "Banál na Poók" ("sacred place"), and vestiges of the spring running close to the wells are known as "Banál na Tubig" ("sacred water"). The well is accessible from the Saint Lorenzo Ruiz Steps behind Caysasay Church. An inconspicuous narrow walkway from the Steps takes visitors to the well itself. To the townsfolk, the apparition had empowered the spring with healing powers. Continues Fr. Díaz: ==Religious syncretism==
Religious syncretism
The image is sometimes syncretised by Chinese Filipinos with the Taoist goddess Mazu, or the Buddhist goddess Guan Yin, due to its alleged origin and former veneration in Taiwan. Both deities are considered archetype emanations of each other, with the comparative Catholic images of Our Lady of Antipolo and Our Lady of the Abandoned as additional emanations, as all four are related to water and/or travel. ==In popular media==
In popular media
In 2005, a musical play titled Mapághimaláng Birhen ng Caysasay ("Miraculous Virgin of Caysasay") was staged in July 2005 at the Cultural Center of the Philippines in Manila. The religious play was written and directed by Nestor U. Torre with music by National Artist for Music Ryan Cayabyab. It focuses on the 1639 miracle involving Chinese artisan named Hay Bing, who was brought to life after he was decapitated. After its initial run, a touring production took the musical throughout the Greater Manila Area including Batangas province. ==See also==
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