The Monthly Film Bulletin wrote: "
Out of the Clouds tollows a pattern familiar in the British cinema – the attempt to keep two or three dramatic stories running concurrently against a background recorded in almost documentary detail. Only one of the stories, that of Leah and Bill, here develops any major significance .... The love story serves to give the film a dramatic centre, but the observation of character keeps mainly to the surface, and the playing of David Knight and Margo Lorenz is not sufficiently experienced to give the airport romance much conviction. The film, though, continually deserts the centre for the periphery. ...The film relies considerably on small-part players and marginal incidents; the detail, however, never looks like adding up to a satisfactory whole."
Variety called it "good average entertainment." Film historian George Perry describes the film in his 1991 book
Forever Ealing as: Snother of Ealing’s attempts at a behind the scenes approach – this time an anatomy of London Airport, a much smaller community in the mid-Fifties than now. Compared with
Arthur Hailey’s treatment of the same formula in the Sixties in his novel
Airport, the result is remarkably tame. As is usual in such Ealing pictures, and in this one more than most, the background and setting are more interesting than the foreground characters, and Paul Beeson’s EastmanColour photography provides a fascinating record of how Heathrow looked in its early days. The script... is larded with the customary parade of minor characters — a comic cab driver, a difficult passenger and so on — but so much of the original spirit has by this time deserted Ealing that the peripheral action, far from filling out a rich tapestry of incident, is merely a tiresome diversion from the main thread of the narrative. The authors of the 2009 book
The Cinema of Basil Dearden and Michael Relph conclude that the film's background and its setting are more interesting than its characters. The US edition of
TV Guide writes that, "it has the feel of a soap opera crossed with a documentary."
Leonard Maltin wrote: "Work and play among commercial pilots; nothing special." ==Home media==