The Upper Paleolithic began about 40,000 BP in Europe and slightly earlier in Africa and the Levant. The use of pigment and the practice of burial extend into this period, with the addition of
cave art and
portable art. The Upper Paleolithic is the prehistoric period during which symbolic and modern behavior are fully developed.
Cave art According to
Richard Klein, the art and burial of the Upper Paleolithic is the first clear and undeniable proof of an ideological system. The art can be divided into two types: the cave art, such as paintings, engravings, and reliefs on stone walls, and portable art. Although the first evidence of it was discovered in Europe, the earliest cave art was created in
Australia and
Southeast Asia. The oldest cave art so far discovered is from the island of
Sulawesi in Indonesia, dated to 45,500 BP, depicting a warty pig and hand traces. Famous examples of cave art include the oldest figurative depictions in Europe found in
Chauvet Cave,
Romuald's Cave and
Fumane Cave, while the most famous examples are found in the
cave of Altamira and
Lascaux. Cave art is not confined to Europe, as
examples of it can be found in Australia and Asia as well. Non-painted art exists as well (e.g., the
Venus of Laussel, which was carved into the limestone wall). The idea of
art for art's sake, which was held by some archaeologists in the past, has today largely been abandoned.
Totemism was another explanation, which was later abandoned. If the animals were totems, they would not have been depicted as injured. Furthermore, there are no gatherings of animals around any specific depictions, as would have been the case if they were totems. The art may have been part of a ritual to increase
hunting success. Through the depictions of these animals, the prehistoric person would have attempted to gain power over them. Another explanation is that the magic could have been aimed at increasing the number of the depicted animals, which were vital for the survival of the Upper Paleolithic humans.
André Leroi-Gourhan saw these depictions as a reflection of the natural and supernatural ordering of the world through sexual symbolism. Certain animals (i.e., the bison) were connected to female values and others to male values (i.e., the horse). These interpretations are based on subjective views of modern humans and do not necessarily reflect the worldviews of prehistoric peoples.
Shamanism is another popular explanation. The caves would, as such, represent entrances to the spiritual realm, where one can communicate with spiritual beings. Many of the animals depicted in cave art are not described as hunted, but as part of hunting magic. Their depictions would give the shaman strength and traits to help him during his hallucinations, when he would communicate with supernatural powers. The half-animal, half-man depictions, as for example the
Trois-Frères sorcerer, would represent the Lord of Animals. perhaps through dance accompanied by music.
Portable art Kozlowski saw animal carvings as connected to hunting magic, intended to increase success. Other explanations see these figurines as pornography, auto-portraits or depictions of important women in the tribe. They may have symbolized hope for prosperous, well-nourished communities. The
Löwenmensch figurine is a sculpture of a human with a lion's head, dated to 35,00040,000 years old. It may have represented a deity.
Burials and pigment use Based on the grave goods found alongside the deceased, Upper Paleolithic burials are undoubtedly evidence of spirituality and religious practice. Pigments of various kinds are found in abundance at numerous sites across Europe. The graves best illustrating this are described below: •
Grimaldi mantriple burial of an adult man, in-between two adolescents of male and female sex. They were covered in
ochre and wearing
seashell, tooth, and bone ornaments. The grave goods appear as various
stone tools. The man in the middle was lying on a "pillow" of bison bones. •
Dolní Věstonice IItriple burial, all three skulls and the
pelvis of the middle person were covered in red ochre. The left and right persons were men, while the middle person was a
gracile man with abnormalities. • Brno IIa rich male burial. An ivory sculpture was found, along with over 600 ornaments made of tertiary shell, stone, and ivory. Two large pierced
silicon discs suggest the man buried here was a shaman. == See also ==