Papa Charlie Jackson

Jackson began his career playing in minstrel shows and medicine shows. From the early 1920s into the 1930s, he played frequent club dates in Chicago and was noted for busking at Chicago's Maxwell Street Market. In April 1925, Jackson released his version of "Shave 'Em Dry". One of his subsequent tracks, "Salty Dog Blues", became his most famous song. Among his recordings are several in which he accompanied classic female blues singers, such as Ida Cox, Hattie McDaniel, and Ma Rainey.{{cite book According to the blues writer Bruce Eder, Jackson achieved "a musical peak of sorts in September of 1929 when he got to record with his longtime idol, Blind Arthur Blake, often known as the king of ragtime guitar during this period. 'Papa Charlie and Blind Blake Talk About It' parts one and two are among the most unusual sides of the late '20s, containing elements of blues jam session, hokum recording, and ragtime." A few more recordings for the Paramount label followed in 1929 and 1930. In 1934, Jackson recorded for Okeh Records, and the following year he recorded with Big Bill Broonzy. Altogether, Jackson recorded 66 sides during his career. ==Selected Recordings==

• "Airy Man Blues" (1924) • "Shake that Thing" (1925) • "All I Want is a Spoonful" (1925) • "Bad Luck Woman" (1926) • "Let's Get Along" (1926) • "Baby, Don't You Be So Mean" (1927) • "Ash Tray Blues" (1928) • "Baby Papa Needs His Loving" (1929) • "Baby Please Loan Me Your Heart" (1929) ==Legacy==

Jackson was an influential figure in blues music. He was the first self-accompanied blues musician to make records. which uses comic, often sexually suggestive lyrics and lively, danceable rhythms. He wrote or was the first to record several songs that became blues standards, including "All I Want Is a Spoonful" and "Salty Dog". Nonetheless, he has received little attention from blues historians. ==See also==