Marius Petipa added the
Grand pas classique to the third act of
Paquita in 1881 for the
benefit performance of the Imperial Ballet's
Prima ballerina Ekaterina Vazem. The music was composed by
Ludwig Minkus, whose original composition featured a
Grand adagio with
cadenza for solo violin composed for
Leopold Auer.
Anna Pavlova included the
Grand Pas classique in her company's repertory. For all of his productions of the work Nureyev used
John Lanchbery's adaptation of the music. In 1984
Natalia Makarova staged a new version of the
Paquita grand pas classique for American Ballet Theatre with music again arranged by Lanchbery. To date the company still retains Makarova's staging in their repertory, and many companies throughout the world have staged her version of the piece. In 1974 the Ballet Master
Nikita Dolgushin produced a staging of the
Paquita grand pas classique for the
Maly Theatre Ballet of St. Petersburg. For his production Dolgushin called upon the former ballerina
Elizaveta Gerdt—who performed in Marius Petipa's original version of the piece— to assist in restoring the
Paquita grand pas classique to its form as performed during the early 20th century. In 1978 the
Kirov/Mariinsky Ballet's newly appointed artistic director
Oleg Vinogradov staged a new version of the
Paquita grand pas classique for the company, a staging largely based on the version
Pyotr Gusev staged for the Maly Theatre Ballet in 1952. The Kirov/Mariinsky Ballet still retain Vinogradov's version in their repertory, and many companies throughout the world include his version of the piece in their repertories. ==Gallery of historical images==