Critical response B S Srivani from
Deccan Herald wrote "Motifs like Karadi Majalu are all woven well into the narrative, but the climax is a rude awakening for fans of both Puneet and Yogaraj. This Paramathma lives up to his billing – shattering many myths (good and bad) and hype". A critic from
Bangalore Mirror wrote "The second half of the film drags on and on and you want the film to end. But Bhat does not spare you till he tries to scare you. Songs are good, and it is worth buying the album. Santosh Rai Pataje is awesome; the filmmakers have managed to find some excellent locations". A critic from
The Times of India scored the film at 4 out of 5 stars and wrote "Ita's definitely Puneetha's powerful show that keeps the story alive. Aindritha Ray puts on a mature performance. Deepa Sannidhi has hopes of being a star in future. Anant Nag, Rangayana Raghu, Avinash and Dattanna do justice to their roles". A critic from
News18 India wrote "Then again it drags for sometime in the second half. But thanks to the gripping climax, everything is forgotten in the last half-an-hour. There are glimpses of Manoj Night Shyamalan's 'Sixth Sense' in the sequences leading to the climax". A critic from
Sify.com wrote "Santhosh Rai Pathaaje takes the cake as a master director of cinematography. Equally likeable is Hari Krishnaa`s music compositions and background music. Santhosh Rai Pathaaje is top class behind camera. Watch Paramathma for its classic style of narration and good packaging. Shruti Indira Lakshminarayana from
Rediff.com scored the film at 2.5 out of 5 stars and says "Puneet's character is a motor mouth like most of Bhat's previous leading men. Deepa Sanidhi laughs her way through the film and into our hearts. Aindrita has a few scenes to her credit. Songs by Harikrishna and camera work by Santosh Rai Pataje are the true heroes. Paramathma disappoints". ==References==