The Rabbit's Foot Company, Funny Folks Company and Chappelle Bros.
The success of their shows at the Buckingham and Mascotte theatres in Tampa led Chappelle and Donaldson to announce their intention, in early 1900, to establish a traveling vaudeville show. Chappelle commissioned
Frank Dumont of the Eleventh Street Theater in
Philadelphia to write a show for the new company. In May 1900, Chappelle and Donaldson advertised for "60 Colored Performers.... Only those with reputation, male, female and juvenile of every description, Novelty Acts, Headliners, etc., for our new play 'A Rabbit's Foot'.... We will travel in our own train of hotel cars, and will exhibit under canvas...". In summer 1900, Chappelle decided to put the show into theatres rather than under tents, first in
Paterson, New Jersey, and then in
Brooklyn, New York. However, his bandmaster Frank Clermont left, his partnership with Donaldson dissolved, and business was poor. Pat Chappelle and his brothers, James E. Chappelle and Lewis W. Chappelle, rapidly organized a small vaudeville circuit, including theatre venues in
Savannah, Georgia, as well as Jacksonville and Tampa. According to the later legal case between Pat Chappelle's widow and his brothers, James and Lewis claimed that the three brothers had established a co-partnership in 1900 to run both the traveling and theatre parts of the business; however, this was countered by the claim that the troupes taken out by Pat Chappelle were managed and conducted by him alone, and the court supported the latter view. Chappelle was able to state, late in 1902, that he had "accomplished what no other Negro has done - he has successfully run a Negro show without the help of a single white man." The company's parade was described by
The Freeman as "one of the finest street parades in the country for minstrels." He also included drama and classic opera in his shows, such as works by
Verdi, chorus
show girls, and a musical band that included ten brass players, later doubled in size. By doing this, he offered his talented team of performers the opportunity to star in different venues. The black entertainers were known to be of high quality, and Chappelle advertised in African-American newspapers to find and employ them, and develop their careers. The vaudeville was very popular and in high demand as it was known as "authentic" (not white
blackface) and "clean negro" vaudeville, one of the few "authentic negro" vaudeville shows around. It traveled most successfully in the southeast and southwest, and also to
Manhattan and
Coney Island. Chappelle also established an all-black
baseball team, based in Jacksonville, but which toured with the company and played the local team in each city the company visited. had expanded to fill three
Pullman railroad carriages, and was describing itself as "the leading Negro show in America". Pat's father Lewis Chappelle helped out as boss of the company since it had doubled in size, including the brass band that went from ten to twenty players. The show was reported to include minstrel performances, dancers, circus acts, "daring aerialists," comedy and musical ensemble pieces. For the 1904–05 season, the company included week-long stands in
Washington, D.C., and
Baltimore, Maryland. Two of its most popular performers were singing comedian Charles "Cuba" Santana and trombonist Amos Gilliard, though the latter defected to Rusco and Holland's Georgia Minstrels and claimed that Pat Chappelle and his brothers had threatened him at gunpoint before throwing him off the company train. In 1909, Chappelle sued the
Mobile and Ohio Railroad which overcharged for the transportation of his Pullman sleeper and baggage cars. He also tried to gather support to help lower the transportation rates of the Southern Railroad Association, as the high rates targeted the tour shows. ==Other activities==