'', early 1620s Paul Bril initially painted in the late
Mannerist style developed by his brother. These early landscapes are in the Flemish tradition inaugurated by
Joachim Patinir and
Pieter Bruegel the Elder and further developed by his own brother. Works from this early period were characterised by a picturesque arrangement of landscape elements and violent contrasts between light and dark. '', 1620 Agostino Tassi may have been Paul's pupil. Tassi later became the master of Claude Lorrain. Paul Bril thus forms one of the links between the
panoramic views of Joachim Patinir and the ideal landscape evolved by
Nicolas Poussin and Claude Lorrain. He often collaborated on paintings with
Johann Rottenhammer. According to a dealer's letter of 1617, Rottenhammer painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. Bril also collaborated with his friends
Jan Brueghel the Elder and
Adam Elsheimer, whom he both influenced and was influenced by. His collaboration with Elsheimer is shown in a painting now in
Chatsworth House. Bril introduced Jan Brueghel the Elder to Cardinal
Federico Borromeo, who subsequently became Brueghel's most important patron. He also let the Dutch landscape artist
Bartholomeus Breenbergh live in his Roman residence for many years. ==See also==