Box office The film grossed $9,406,522 in its opening weekend and broke the opening horror film record held by
Friday the 13th (1980). Domestically, the film made a total of $36.7 million. As of 2020, it still stands as the fourth highest-grossing film in the
Friday the 13th series and the third best selling in ticket sales; with approximately 11,762,400 tickets sold, it is surpassed only by the
1980 original with 14,778,700 tickets and
Freddy vs. Jason with 13,701,900 tickets. The film also stands as the tenth highest-grossing R-rated film of 1982, the second-highest grossing horror film of 1982, and the sixth largest box office opening of 1982. While criticizing the plot for being derivative, in a mixed review for
The New York Times, film critic
Janet Maslin praised the acting of Kimmell, Savage, Jeffrey Rogers, and
Catherine Parks, in which she called a major improvement to the acting in the predecessors, and wrote that Miner's use of
3-D filmmaking was innovative and the most professional effort when compared to other films released at the time, stating: "As in each of the other recent 3-D movies, of which this is easily the most professional, there is a lot of time devoted to trying out the gimmick. Titles loom toward you. Yo-yos spin. Popcorn bounces. Snakes dart toward the camera and strike. Eventually, the novelty wears off, and what remains is the now-familiar spectacle of nice, dumb kids being lopped, chopped and perforated." She also felt the film was superior to the prior two films in the series.
Richard Schickel of
Time magazine wrote: "Maybe all sequels should be made in 3-D... It is all so gruesome that horror turns to humor and fun comes from the appreciation of being cleverly conned by Steve Miner. The way the eyeball of one of Jason's victims pops out of his skull and seems to sail over the audience's head is alone worth buying a ticket and putting on funny glasses."
Gene Siskel praised the film's "impressive" 3-D effects, particularly in the opening credits, also noting its slowburn approach, as the "heavy-duty slaughter doesn't come until one hour into the film," but criticized it for "lingering over the impending deaths of the young women, who are stalked by the camera so we find ourselves in the revolting position of stalking them too." The entertainment-trade magazine
Variety provided a general consensus, stating, "
Friday the 13th was dreadful and took in more than $17 million.
Friday the 13th Part 2 was just as bad and took in more than $10 million.
Friday the 13th Part 3 is terrible, too." The magazine added, "There are some dandy 3-D sequences, however, of a yo-yo going up and down and popcorn popping." Similarly,
TV Guide awarded the film one out of five stars, writing that it "exploits precisely the same formula plot as its predecessors, though the gore is a bit deemphasized, with the special-effects crew concentrating on the nicely done 3-D depth work for a change. It's still trash, however, and also made a ridiculous amount of money." Ted Mahar of
The Oregonian felt that the film's 3-D effects were a gimmick that compromised the film's integrity, describing it as "a machine-tooled industrial product made to precise specifications, according to a formula derived from observation and experience, for an absolutely dependable consumer."
Accolades The film is recognized by
American Film Institute in these lists: • 2003:
AFI's 100 Years...100 Heroes & Villains: •
Jason Voorhees – Nominated Villain
Legacy Friday the 13th Part III has been most noted for its introduction of villain Jason's hockey mask disguise, which was replicated in the following numerous sequels and became an iconic image in
American cinema and the
horror genre. Film scholar
Carol Clover notes that the film has historically been cited as one of the most violent of the series, with a total of fourteen murder sequences. For his appearance in the film, Jason Voorhees was nominated for AFI's 100 Years...100 Heroes & Villains as one of the Top 50 Villains. Meslow cites the film's 3-D effects as paving the way for later horror films which also used the technique. ==Novelizations==