His poetry is known for his difficult, sly, allusive style, casual use of obscure or archaic words, understated wit,
punning, and deft technique in meter and
slant rhyme. As Peter Davidson says in
The New York Times review of books "Muldoon takes some honest-to-God reading. He's a riddler, enigmatic, distrustful of appearances, generous in allusion, doubtless a dab hand at crossword puzzles". In 2001, Robert Potts, former editor of Poetry Review of
The Guardian, cited him as being "among the few significant poets of our half-century"; "the most significant English-language poet born since the second world war" – a talent off the map. The post-modern poem narrates, in 233 sections (the same number as the number of Native American tribes), an alternative history in which
Samuel Taylor Coleridge and
Robert Southey come to America to found a
utopian community. The two poets had, in reality, discussed but never undertaken this journey. Muldoon's poem is inspired by Southey's work
Madoc, about a legendary Welsh prince of
that name. Critics are divided over the poem's success. Some are stunned by its scope and many others, such as
John Banville, have professed themselves utterly baffled by it – feeling it to be wilfully obscure. Muldoon says of it: "I quite enjoy having fun. It's part of how it is, and who we are." was disbanded in 2010. Another of Muldoon's bands, Wayside Shrines, has recorded and released thirteen of the lyrics included in Muldoon's collection of rock lyrics,
Word on the Street. His current group is known as Paul Muldoon & Rogue Oliphant. In 2025 they released their acclaimed album, "Visible From Space" on Soul Selects Records. Muldoon has also edited a number of anthologies, including
The Lyrics: 1956 to the Present by Paul McCartney, published in 2021, written two children's books, translated the work of other authors, performed live at the
Poetry Brothel. and published critical prose. ==Awards==