, the film has a score of 92% on review aggregator
Rotten Tomatoes, based on 12 reviews. Luke Buckmaster, reviewing the film in
The Guardian after its Adelaide premiere, gave it 3 out of 5 stars, praising the performances but saying the film "never quite comes together".
Irrestible Magazine reviewed the film after its
Berlinale screening, praising the cinematography and performances, calling Hazel May Jackson a "superstar on the rise". The reviewer said that the film "is no doubt going to cut through in multiple territories, and instantly hit hero status back home".
Variety also had praise for the cinematography, and called the film "essentially a survival thriller realised via the genre trappings of a Western". David Rooney of
The Hollywood Reporter thought that it does not surpass the "poetic simplicity" of Thornton's 2009
Samson & Delilah, but it "represents a very solid entry in his impressive body of work". Damon Wise of
Deadline praised the writing, cinematography, and "Thornton's controlled execution", calling
Wolfram "a modern classic", and "a surprisingly emotional genre piece that simmers with menace and doesn't let up until the bloody finale". Jonathan Romney, writing in
Screen Daily, found the film "visually stunning" and praised the performances, but thought that the narrative lacked cohesion, compared with
Sweet Country. ==References==