Ayala began his professional career in 1935, and decided to concentrate on the accordion as his primary instrument. He played music while continuing to work on farms. In the 1940s and 1950s, Ayala was a well-respected performer among working-class Mexican Americans living in Texas, earning the title "El Monarca del Acordeon" (Monarch of the Accordion). In 1947, he recorded with a new record label named Mira in
McAllen, Texas. Mira later became
Falcon Records, a very successful
Chicano recording company. Over the course of his career, Ayala made 10
albums and numerous 78- and 45-rpm recordings that included
polkas, chotes, valses, and redovas. Throughout his career, Ayala remained true to the stylistic core of conjunto music, but also added innovations such as incorporating the toloche (stand-up bass) to the ensemble. He was also regarded as a songwriter with a distinctive style of composition. In 1957 his sons
Ramon Ayala, and
Pedro Ayala Jr. (Quito) joined his group Pedro Ayala y su Conjunto. By 1963 Pedro Ayala's youngest son Emilio joined the group renaming the group to Pedro Ayala El Monarca del Acordeón y
Los Hermanos Ayala touring the entire
United States for the next several years. ==Personal life==