In 1566, the temple was described by Friar
Diego de Landa in the manuscript known as Yucatán at the Time of the Spanish Encounter (
Relación de las cosas de Yucatán). Almost three centuries later,
John Lloyd Stephens described the architecture of the temple with even more detail in his book
Incidents of Travel in Yucatán (
Incidentes del viaje Yucatán), published in 1843. At that time, the archaeological site of Chichén Itzá was located on an estate, also called Chichén Itzá, owned by Juan Sosa.
Frederick Catherwood illustrated the book with lithographs depicting the temple covered in abundant vegetation on all sides. Some photographs taken in the beginning of the 20th century also show the temple partially covered by said vegetation. In 1924, the
Carnegie Institution for Science in Washington, D.C. requested permission from the Mexican government to carry out explorations and restoration efforts in and around the area of Chichen Itza. In 1927, with the assistance of Mexican archaeologists, they started the task. In April 1931, looking to confirm the hypothesis that the structure of the temple of Kukulcán was built on top of a much older temple, the work of excavation and exploration began in spite of generalized beliefs contrary to that hypothesis. On June 7, 1932, a box with
coral,
obsidian, and
turquoise encrusted objects was found alongside human remains, which are exhibited in the
National Anthropology Museum in Mexico City. The Temple of Kukulcán (
El Templo) is located above a cavity filled with water, labeled a sinkhole or
cenote. Recent archaeological investigations suggest that an earlier construction phase is located closer to the southeastern cenote, rather than being centered. Additionally, the color red appears to have been significant to Maya cultural symbolism. It is associated with creating life as well as death and sacrifice. Studies suggest that objects in Maya culture were imbued with vital essence, so the choice of painting the jaguar red could be a reflection of these beliefs, deeming the jaguar as an offering. The high status associated with the cinnabar pigment and its red tone suggest that the jaguar was linked to the ritual importance of closing a temple for renewal. The four fangs of the Red Jaguar have been identified as gastropod mollusk shells (
Lobatus costatus) using a digital microscope and comparative analysis from
malacology experts from the National Institute of Anthropology and History. The shells also are thought to be another valued resource material that may have been traded into Chichén Itzá. The green stones were analyzed and determined to be a form of
jadeite. Jadeite was valuable economically and socially, and the acquisition and application of the material is indicative of the access Chichén Itzá had along its trade routes. Archaeological studies indicate that the Red Jaguar is similar to other depictions of thrones found in Maya murals (Temple of
Chacmool), thus whoever was seated on this throne could have been accessing the point of
axis mundi, which is essential to the elements and relationship to the cosmological system. The symbolic use of materials related to the underworld and death also suggest that it acted as an offering for ritually closing the temple. ==Alignment==