Peintre-graveur is a term probably invented and certainly popularized by the great scholar of the old master print, Adam Bartsch. The term, meaning "painter-engraver", is intended to distinguish between printmakers, whether working in engraving, etching or woodcut, who designed images with the primary purpose of producing a print, and those who essentially copied in a print medium a composition by another, to produce what is known as a "reproductive print", or who produced only essentially non-artistic work in print form, such as maps for example.