Pepi I built extensively throughout Egypt, so much so that in 1900 the Egyptologist
Flinders Petrie stated "this king has left more monuments, large and small, than any other ruler before the
Twelfth Dynasty". The Egyptologist
Jean Leclant reached a similar conclusion in 1999. He sees Pepi's rule as marking the apogee of the Old Kingdom owing to the flurry of building activities, administrative reforms, trade and military campaigns at the time. Pepi devoted most of his building efforts to local cults and royal Ka-chapels, seemingly with the objective of affirming the king's stature and presence in the provinces.
Ka-chapels Ka-chapels were small cult buildings comprising one or more chambers to hold offerings dedicated to the cult of the Ka of a deceased or, in this case, the king. Such chapels dedicated to Pepi I were uncovered or are known from contemporary sources to have stood in
Hierakonpolis, in
Abydos, and in the central Nile Delta region, in Memphis, Zawyet el-Meytin,
Assiut,
Qus and beyond the Nile Valley in Balat, a settlement of the
Dakhla Oasis. In addition, two chapels were built in
Bubastis and probably more than one stood in
Dendera. Finally, yet another chapel is believed to have existed in
Elkab, where rock inscriptions refer to his funerary cult. All these buildings were probably peripheral to or inside larger temples hosting extensive cult activities. For example, the chapel at Abydos was next to the temple of
Khenti-Amentiu. For the Egyptologist Juan Moreno García, this proximity demonstrates the direct power that the king still held over the temples' economic activities and internal affairs during the Sixth Dynasty. In an underground store beneath the floor of Hierakonpolis' Ka-chapel of Pepi, the Egyptologist
James Quibell uncovered a statue of King
Khasekhemwy of the
Second Dynasty, a terracotta lion cub made during the
Thinite era, a golden mask representing Horus and two copper statues. Originally fashioned by hammering plates of copper over a wooden base, these statues had been disassembled, placed inside one another and then sealed with a thin layer of engraved copper bearing the titles and names of Pepi I "on the first day of the Heb Sed" feast. The two statues were symbolically "trampling underfoot the
Nine bows"—the enemies of Egypt—a stylized representation of Egypt's conquered foreign subjects. While the identity of the larger adult figure as Pepi I is revealed by the inscription, the identity of the smaller statue showing a younger person remains unresolved. The most common hypothesis among Egyptologists is that the young man shown is Merenre. As Alessandro Bongioanni and Maria Croce write: "[Merenre] was publicly associated as his father's successor on the occasion of the Jubilee [the Heb Sed feast]. The placement of his copper effigy inside that of his father would therefore reflect the continuity of the royal succession and the passage of the royal sceptre from father to son before the death of the pharaoh could cause a dynastic split." Alternatively, Bongioanni and Croce have also proposed the smaller statue may represent "a more youthful Pepy I, reinvigorated by the celebration of the Jubilee ceremonies".
Temples The close association between Ka-chapels and temples to deities might have spurred building activities for the latter. For example, the Bubastis ensemble of Pepi I comprised a enclosure wall with a small rectangular Ka-chapel housing eight pillars near its north corner. This ensemble was peripheral to the main Old Kingdom temple dedicated to the goddess
Bastet. In Dendera, where a fragmentary statue of a seated Pepi I has been uncovered, Pepi restored the
temple complex to the goddess
Hathor. He seems particularly to have desired to be associated with her, using the epithet "son of Hathor of Dendera" on numerous vessels found throughout Egypt and abroad. In Abydos, he built a small rock cut chapel dedicated to the local god Khenti-Amentiu, where he is again referred to as "Pepi, son of Hathor of Dendera". Pepi also referred to himself as the son of
Atum of
Heliopolis, direct evidence for the strengthening of the Heliopolitan cults at the time. At the southern border of Egypt, in Elephantine, several
faience plaques bearing Pepi's cartouche have been uncovered in the temple of
Satet. These may suggest royal interest in the local cult. An alabaster statue of an ape with its offspring bearing Pepi I's cartouche was uncovered in the same location, but it was probably a gift of the king to a high official who then dedicated it to Satet. In this temple, Pepi built a red granite
naos, destined either to house the goddess's statue, or a statue of Pepi I himself, which would mean the naos was yet another Ka-chapel. Pepi I's cartouche and the epithet "beloved of Satet" is inscribed on the naos, which stands high. Pepi seems to have undertaken wider works in the temple, possibly reorganising its layout by adding walls and an altar. In this context, the faience tablets bearing his cartouche may be foundation offerings made at the start of the works, although this has been contested. For the Egyptologist David Warburton, the reigns of Pepi I and II mark the first period during which small stone temples dedicated to local deities were built in Egypt.
Pyramid complex Pepi I had a pyramid complex built for himself in South Saqqara, which he named
Men-nefer-Pepi variously translated as "Pepi's splendour is enduring", "The perfection of Pepi is established", "The beauty of Pepi endures", or "The perfection of Pepi endures". The shortened name
Mennefer for the pyramid complex progressively became the name of the nearby capital of Egypt—which had originally been called
Ineb-hedj. In particular, the Egyptian
Mennefer ultimately gave
Memphis in Greek, a name which is still in use for this ancient city. Pepi I's mortuary complex is neighboured on its south-west corner by a necropolis built during his own reign and the reigns of Merenre and Pepi II. The necropolis housed the pyramids of Pepi I's consorts and their dedicated funerary temples.
Main pyramid Pepi's main pyramid was constructed in the same fashion as royal pyramids since the reign of
Djedkare Isesi some 80 years earlier: a core built six steps high from small roughly dressed blocks of limestone bound together using clay mortar encased with fine limestone blocks. The pyramid, now destroyed, had a base length of converging to the apex at ~ 53° and once stood tall. Its remains now form a meager mound of , containing a pit in its centre dug by stone thieves. The substructure of the pyramid was accessed from the north chapel which has since disappeared. From the entrance, a descending corridor gives way to a vestibule leading into the horizontal passage. Halfway along the passage, three granite portcullises guard the chambers. As in preceding pyramids, the substructure contains three chambers: an antechamber on the pyramids vertical axis, a
serdab with three recesses to its east, and a burial chamber containing the king's sarcophagus to the west. Extraordinarily, the pink granite
canopic chest that is sunk into the floor at the foot of the sarcophagus has remained undisturbed. Discovered alongside it was a bundle of viscera presumed to belong to the pharaoh. The provenance of a mummy fragment and fine linen wrappings discovered in the burial chamber are unknown, but they are hypothesized to belong to Pepi I. The walls of Pepi I's antechamber, burial chamber, and much of the corridor are covered with vertical columns of inscribed hieroglyphic text. The hieroglyphs are painted green with ground
malachite and
gum arabic, a colour symbolising renewal. His sarcophagus is also inscribed on its east side with the king's titles and names, as part of a larger set of spells that includes texts at the bottom of the north and south walls opposite the sarcophagus, and in a line running across the top of the north, west, and south walls of the chamber. The writing comprises 2,263 columns and lines of text from 651 spells, of which 82 are unique to Pepi's pyramid. This is the most extensive corpus of
Pyramid Texts from the Old Kingdom. The tradition of inscribing texts inside the pyramid was begun by Unas at the end of the Fifth Dynasty, but originally discovered in Pepi I's pyramid in 1880. Their function, like that of all
funerary literature, was to enable the reunion of the ruler's
ba and
Ka, leading to the transformation into an
akh, and to secure eternal life among the gods in the sky.
Mortuary temple Pepi's pyramid was part of a wider funerary complex comprising a small cult pyramid and mortuary temple surrounded by an enclosure wall. The purpose of the cult pyramid remains unclear. While it had a burial chamber, it was never used as such and must have been a purely symbolic structure. It may have hosted the pharaoh's Ka, or a miniature statue of the king, and could have been used for ritual performances centring around the burial and resurrection of the Ka spirit during the Sed festival. Excavations of the small cult pyramid yielded statue fragments, pieces of stelae and offering tables which indicate the continuation of Pepi's funerary cult into the Middle Kingdom. A valley temple by the Nile and a causeway leading from this temple up to the pyramid on the desert plateau completed the overall construction. The high temple, next to the pyramid, was laid out according to a standard plan, making it nearly the same as the temples of Djedkare Isesi, Unas, and Teti. The temple had an entrance hall some high, now almost completely destroyed, leading into an open columned courtyard. Storage rooms to the north and south flanked the hall. The inner temple contained a chapel with five statue niches, an offering hall and other core chambers. Either the mortuary temple or the causeway might have been lined with statues of kneeling bound captives representing Egypt's traditional enemies. Both the temple and the causeway are now heavily damaged due the activity of
lime makers, who extracted and burned the construction stones to turn them into mortar and whitewash in later times. In particular, the original location of the statues remains uncertain as they had been displaced, ready to be thrown into a lime furnace.
Necropolis of Pepi I Pepi's mortuary complex was the centre of a wider necropolis which comprised the tombs of the royal family and further afield those of the high officials of the state administration including a tomb for Weni. Pepi had pyramids built for his consorts to the south and south-west of his pyramid. These were all located outside the complex' enclosure wall but inside an area delimited by a street to the west. Three of the main queens' pyramids were built in a row on an east–west axis, each with a base side dimension of about . The Ancient Egyptians referred to the owners of these pyramids as the "Queen of the East", "Queen of the Centre" and "Queen of the West".
Pyramid of Nebwenet The pyramid of the queen of the east belonged to Nebwenet, whose name, image and titles are preserved on a fallen
jamb uncovered in the attached mortuary temple. The pyramid had a base of , making it similar in size to the other pyramids of the necropolis. On its northern face was a small
mudbrick chapel, which hosted a limestone altar, now broken. The pyramid's substructures were accessed from a descending passageway leading first to an antechamber and, from there, to the burial chamber slightly to the south of the pyramid's apex. This chamber yielded fragments of pink granite sarcophagus and pieces of inscribed alabaster. To the east was a
serdab and the scant remnants of funerary equipment.
Pyramid of Inenek-Inti Immediately west of the pyramid of the queen of the east was the pyramid of the queen of the centre, Inenek-Inti. The name, image and titles of this queen are inscribed on jambs and two high red-painted
obelisks on either side of the gateway to the mortuary temple, establishing that Inenek-Inti was buried there. With a base of , the pyramid size and layout is similar to that of Nebwenet, except that the burial chamber is located precisely beneath the pyramid apex. Fragments of a greywacke sarcophagus and pieces of stone vessels were uncovered there. Unlike Ankhesenpepi II's burial chamber, that of Inenek-Inti had no inscriptions on its walls. Inenek's mortuary temple was much larger than Nebwenet's, surrounding her pyramid on its eastern, northern and southern sides. Inenek's complex also comprised a small cult pyramid, at the base, on the south-east corner of the mortuary temple.
Queen of the West West of Inenek's pyramid is that of the queen of the west. The identity of this pyramid's owner is preserved on an obelisk in front of her pyramid only as "the eldest daughter of the king". The pyramid had a base length of around , similar to those of Inenek and Nebwenet, and now stands tall. Entry into the substructure is gained on the north face. The burial chamber is located under the vertical axis of the pyramid. The location of the serdab is unusual, being to the south of the burial chamber instead of east. Substantial remains of funerary equipment were found inside including wooden weights, ostrich feathers, copper fish hooks, and fired-clay vessels, but none bore their owner's name. It has a hastily built mortuary temple, with an offering hall and a room with two statue niches. Relief fragments discovered depict scenes of processions and estates, along with an incomplete cartouche of Pepi I's name.
Pyramid of Ankhesenpepi II The pyramid of Ankhesenpepi II occupies the south-western extremity of the necropolis of Pepi I. With a base of , the pyramid once reached high, making it the largest of the queens' pyramids. The funerary complex of Ankhesenpepi II was also the largest in the necropolis except for that of Pepi himself, covering an area of . It comprised a mortuary temple to the north of the pyramid and 20 storage rooms for offerings. The queen's funerary complex had a monumental entrance with a granite frame, its lintel bearing the queen's name and titles being more than wide and weighing over 17 tons. A small chapel stood on the pyramid northern face, at the entrance of the substructures. Painted reliefs of which only scant remains have been found including a small scene depicting the queen and a princess on a boat among
papyrus plants, adorned the accompanying funerary temple. The burial chamber walls were inscribed with spells from the pyramid texts, a privilege that had been the preserve of kings. Fragments from a black basalt sarcophagus were uncovered onsite.
Pyramid of Behenu With a base of , Queen Behenu's pyramid was of similar size and layout to the other queens' pyramids of the necropolis. Located on the western end of the necropolis, immediately north-west of Mehaa's tomb on which it intrudes, Behenu's mortuary temple was on the pyramid's southern face with a cult pyramid on its south-east corner. The entrance of the temple, flanked with two granite obelisks, led to several rooms, which once housed statues and offering altars, while a further 10 rooms served for storage. The burial chamber measured , and its walls were inscribed with numerous spells of the pyramid texts. The head of a wooden statue of the queen as well as her opened basalt sarcophagus were unearthed there.
Pyramid of Mehaa Pepi's consort Mehaa was buried in a pyramid on the south-west corner of Pepi's enclosure wall. Directly adjacent to Mehaa's pyramid's eastern face was her mortuary temple, where a relief bearing the name and image of Prince Hornetjerykhet, her son, was uncovered. Mehaa's pyramid is intruded upon by the pyramid of Behenu, establishing that Mehaa was a consort of Pepi I early in his reign while Behenu lived in the later part of his rule. ==Legacy==