Peter Høeg published his first novel,
A History of Danish Dreams, in 1988 to very positive reviews. He decided at that stage to protect his personal life. Over the next five years he wrote and published the short story collection
Tales of Night, and the novels: ''Miss Smilla's Feeling for Snow
(1992), Borderliners (1993). It was Miss Smilla's Feeling for Snow
that earned Høeg immediate and international literary celebrity. In 1993 he won the Danish booksellers award De Gyldne Laurbær (The Golden Laurel) and the Danish Critics Prize for Literature for his book De måske egnede
(English title: Borderliners''). Høeg virtually disappeared in 1996 after the lukewarm reception of
The Woman and the Ape.
Return and The Quiet Girl controversy Høeg resurfaced in 2006 with
The Quiet Girl, his first novel in 10 years. At the time of its publication, its reception in Denmark was mixed at best, and the novel was generally regarded as being either too complex or too postmodern. Høeg was surprised by the response and has since said the complexity of the book was nowhere near that of films like
Inception or
Memento. Norwegian author
Jan Kjærstad defended the book, saying: "it surprises me that a novel written by someone of Peter Høeg’s calibre, with such great intelligence, so much thought and originality, should be treated to such outpourings of pettiness and virulence. How could such a rollicking, generous, open book be greeted with so much gravity and severity, such closed minds and again: in my broad-minded old Denmark?" In October 2007, the Danish literary critic Poul Behrendt published a book entitled
Den Hemmelige Note: Ti kapitler om små ting der forandrer alt (
The Secret Note: Ten Chapters on Little Things That Change Everything), in which he explains that the cold reception of
The Quiet Girl was due to its complexity and scope, which the critics, according to Behrendt, didn't understand. In 2014, his latest book,
The Susan Effect (
Effekten af Susan) was published in Denmark. The book is described by
The Economist as a "high-concept thriller" featuring
social breakdown,
environmental disaster and
atomic weapons in rogue hands. ==Style==