Lathrop began his career as a
film loader in
Universal’s camera department in 1934 for
Russell Metty,
ASC, on the
Irving Reis film,
All My Sons. A five-story section of what is supposed to be a 25-story building was made in Stage 12, the highest in the studio, where every floor was used to shoot the action. Lathrop stated that “it was necessary to dig down 20 feet into the floor of the stage in order to accommodate [the building model].” He continued, “[the] photography of this sequence was difficult because of the way [they] had to light the set” to avoid shadows from the hanging lights when the simulated earthquakes took place. So “in order to light it, [Lathrop] went clear up above the grids with four arcs pointed down to simulate the angle of the sun. [He] matched each of the arcs on the way down and didn’t overlap them, nor did [he] use any fill light at all.” To execute a film like
Earthquake, natural sets would have been very limiting. Shooting on set allows for control in the lighting and to “do things with the camera that would have been impossible in a natural set,” said Lathrop. Without a single day off of work after
Earthquake, Lathrop immediately began working on
Airport 1975, also for Universal Studios. == Personal life ==