In 1994, Capp photographed a
Hutterite community in eastern
Washington state. Hutterites, like the
Amish and
Mennonites, are descended from sixteenth-century
Anabaptists, and retain many traditional agrarian ways. The book that resulted from this work,
Hutterite: A World of Grace, explored this community's blend of old and new and was distinguished, as one reviewer put it, by its “tender and mysterious” square black-and-white photographs of young Hutterite women that evoke “the existence of an interior complexity within their beautifully plain exteriors.” Over a period of eight years, Capp traveled frequently to
Brazil, where she shot 800 rolls of film on a
Rolleiflex. As a result of this work,
Brasil (2016), Capp eschewed the usual imagery of carnival and exoticized sexuality for black-and-white photographs of "street culture, landscape, architecture and the visual magic she encountered in
Rio de Janeiro." To complete the project, Capp crowd-funded to cover costs of layout, design and shipping. The project foregrounds Capp's aesthetic concerns with marginalized communities and the book was published by the Italian fine-art publisher Damiani. In 2012, while on a Fulbright, Capp created a collection of photographs titled
The Horse Latitudes. The exhibit, as a journalist put it, was "Inspired by nature, light and the complexity of the cultural, social and natural landscape" of different regions of Namibia. Capp leads the New Media Design Course at the KCAC campus of the
College of the Arts (COTA) in
Windhoek, Namibia. ==Permanent collections==