In his 15 July 1929 review for
The New York Times,
Mordaunt Hall observed: "Perhaps the greatest asset of
Piccadilly comes from the camera. Mr. Dupont is noted for his unusual touches, and he has not spared them in this production. Even the opening, which ordinarily is but a staid, prosaic list of characters, has become almost a part of the picture. The director has managed to get the most from his situations without overdoing them. Mr. Bennett…has retained in his story the verisimilitude which would be necessary in a novel. The actions are all motivated and swing freely forward without dismal hurdles or detours. … Miss Gray seems to have been rediscovered as an actress. …(She) found it necessary to flee to English studios to have a chance. Of the players besides Miss Gray and Miss Wong, King Ho-Chang gives a good performance as the friend of the Chinese dancer. He is said to be a restaurant owner who went into the picture just for amusement, but he appears to be a finished actor." Hall found that the additional sound and sound effects that "encumbered" the film in its U.S. showing were "distracting". Writing for the
British Film Institute, BFI Senior Curator Mark Duguid says: "A
film noir before the term was in use,
Piccadilly is one of the true greats of British silent films, on a par with the best work of
Anthony Asquith or
Alfred Hitchcock in the period … notable for qualities not typically associated with British silent films: opulence, passion and a surprisingly direct approach to issues of race … For all its style and grace, the film's strongest suit is Chinese-American actress Anna May Wong … arguably never better used than here. To Wong's frustration, Shosho and Valentine's kiss was cut to appease the US censor ... Naturally,
Piccadilly's publicity made much of Wong's exotic beauty: one contemporary poster—for the film's Austrian release—carries an illustration of the star dancing topless. It would have been unthinkable to portray a white actress in this way and, needless to say, no such image appears in the film." ==Legacy==