The
sacred spring was said to be near ancient
Leivithra in
Pieria, a region of ancient
Macedonia, also the location of
Mount Olympus, and believed to be the home and the seat of worship of
Orpheus. The Muses "were said to have frolicked about the Pierian springs soon after their birth". The spring is believed to be a fountain of knowledge that inspires whoever drinks from it. The name of the spring comes from the
Pierides, the gaggle of girls (daughters of
King Pierus) who sought a contest with the Muses. When they lost, they were turned into magpies.
Ovid tells this tale after explaining the origin of the
Heliconian spring in his 8 AD narrative poem
MetamorphosesV. The metamorphosis into magpies comes at the end of the book: The greatest of our number ended thus her learned songs; and with concordant voice the chosen Nymphs adjudged the Deities, on Helicon who dwell, should be proclaimed the victors. But the vanquished nine began to scatter their abuse; to whom rejoined the goddess; 'Since it seems a trifling thing that you should suffer a deserved defeat, and you must add unmerited abuse to heighten your offence, and since by this appears the end of our endurance, we shall certainly proceed to punish you according to the limit of our wrath.' But these Emathian sisters laughed to scorn our threatening words; and as they tried to speak, and made great clamour, and with shameless hands made threatening gestures, suddenly stiff quills sprouted from out their finger-nails, and plumes spread over their stretched arms; and they could see the mouth of each companion growing out into a rigid beak.And thus new birds were added to the forest.While they made complaint, these Magpies that defile our groves, moving their stretched-out arms, began to float, suspended in the air. And since that time their ancient eloquence, their screaming notes, their tiresome zeal of speech have all remained. An early reference to the Pierian Spring is found in the
Satyricon of
Petronius, from the 1st century AD, at the end of section 5
Sappho, too, refers to the roses of the Pierian Spring, in her poem "To One Who Loved Not Poetry," in the mid-600 B.C. ==Alexander Pope==