In a review of
Planetfall in
The New York Times, American science fiction and fantasy author
N. K. Jemisin described Ren as "a rare science fiction protagonist", and complimented Newman on her handling of this "mentally ill" and "unlikable yet poignantly human" character. She noted that while the author's antagonists "doesn't do nearly as well" and "teeter on the line of caricature", Ren's "inner demons are the stars of the show". Jemisin was fascinated how Newman made revealing the lies about Suh more interesting than the lies themselves, and concluded that the book's climax is "cathartic and transcendent enough to smooth over any flaws along the way." Writing at
Tor.com, Robert H. Bedford described
Planetfall as "a fascinating character study" that shows just how destructive secrets can be. He said Ren's
first-person narrative gives the reader "a very limited perspective" of her world, which makes her voice "haunting" and suggestive of "dread lurking beneath the surface". He added that because Ren is a troubled person, she is an
unreliable narrator, and although such narrators are not uncommon in literature, Bedford said Newman "gives new depth to the meaning 'unreliable. He compared
Planetfall to
Mary Doria Russell’s novel
The Sparrow which also deals with an uneasy truce between science and religion. He was, however, critical of
Planetfall ending, saying that while it is thought-provoking, he felt it a little too "abrupt". But overall Bedford described Newman's book as "[b]eautifully and heartbreakingly wrought" and called it "a distressing, harrowing novel that left a deep mark on me". American writer
Charlie Jane Anders said
Planetfall is not your average novel about
space colonization. Writing at
Gizmodo she described the book as "much weirder", "a fair bit darker", and with as much psychological drama as science fiction. She complimented Newman on her "well-realized world-building" with its realistic portrayal of the inner working of the colony and its advanced technology. But she added that this setting is not what it seems, and it is not too long before the book starts to "mess with your head". The settlement turns out to be "some weird fusion of utopian community and religious pilgrimage", and Ren becomes someone totally unexpected. Anders remarked that Newman's use of a first-person narrator who does not reveal all she knows is "risky", but felt that here, with all its "repressed truths and terrible secrets, it absolutely works and feels natural and honest". ==References==