The album received mixed reviews.
La Voix du Nord published reviews from the singer's fans proving that the reactions are shared between "disappointed love and ecstasy".
La Meuse and
20 Minutes summed up many critics deeming this album is "nor completely failed nor completely exciting", "without surprise but pleasant". On 17 January 2009, the album was awarded 'Francophone Album of the Year' on the 2009
NRJ Music Awards, broadcast on
TF1.
Neutral reviews According to
Le Parisien, "a gothico-melancholic muddle fills some vaporous songs of the album". The newspaper blamed it for the lack of novelty and the "disappointing duet" with
Moby, but also said that this one "shows itself finally effective when it accelerates the rhythm, takes up the sound, let itself overcame by the electro heart-beat".
Ouest-France said this album is "a true
marketing blow", noting that "the electro turning point of the artist surprises, delights or disappoints..." According to
Metro,
Point de Suture is "an electro-pop album without surprise". After underlining the lack of promotion, French newspaper
Le Figaro qualified this album as "massive", "discreet" and "commercial". It also stated that with this new album, "Farmer does not envisage a revolution or even a revelation", and that it has "a methodical faithfulness" to her previous works. It also reproached the "naivety of certain texts" and their "tendency for abstraction". For
RFI Musique, this "disc [is] not really daring", "rather usual, even routine", which seems especially made for the French tour of the next year.
La Meuse, as well as
Télé Moustique, concluded that, with this album, "Farmer has definitively ceased to surprise".
Negative reviews Very critical,
20 Minutes stated the album "does not play either in the sobriety or in the sharpness. Abstruse lyrics, erotic allusions, vapid melodies or agreed electro: Mylène Farmer is not afraid of the ludicrous".
Belgian newspaper
La Dernière Heure described
Point de Suture as "an album rather disjointed, without any real surprise, but containing some potential hits". The Canadian musical critic
Voir qualified this disc as "a pompous and overproduced, static and cold electro-pop album". For
Cité Gay, this album is "fair" and "
kitsch". And for
Télé 2 Semaines, "the lyrics are naive, the electro-pop music foreseeable".
Positive reviews According to
Le Matin, this disc "tries to reconcile all the publics of [the singer]". In it, "she combines all that which makes her strength: techno lightings, evident melodies, easy to remember,
ballads touching straight to the heart, ambiguous texts". It also said that the last two songs are the best ones of the album.
Sud-Ouest deemed that Farmer "remains faithful to the universe and the sound that ensure her success since 1985". For the
Swiss magazine
Télé Top Matin, certain songs from the album are musically similar to
Depeche Mode's universe and concluded that nothing can be reproached to this album. According to
Music Orange, the songs are "impeccably worked", adding : "A unique style, recognizable at first listening", "a succession of puns of words (of pains) or of texts with double-meanings on background of melodies easy to remember and terribly effective". ''
L'Humanité deemed "the singer tries something new with Point de Suture
". As for Voici, this album is a "beautiful deal" in which "Farmer has been able to regenerate after 25-year career", with this "collection of energy songs". Musiqueradio.com
website elected Point de suture'' as "album of the year". == Commercial performance ==