Pomme Fritz challenged the Orb's fan base, and similarly perplexed critics. Among retrospective reviews; Derek Walmsley of
The Quietus felt the album was one of the Orb's "greatest achievements," describing it as a "concise yet bewilderingly multi-layered statement." James Ferguson of
Trouser Press, who felt the album seemed "vaguely angry" and bore an "impenetrable gloom," wrote that it was "glaringly obvious that Paterson had grown weary of the music that he helped to codify," while
Resident Advisor felt the album "[tested] the boundaries of
electronica." An editor in the
Rolling Stone Album Guide feels the album "[doodles] amiably" and is largely short on ideas but praises the "charming" title track.
Audio felt the album, with its "bleak industrial tones," pinpointed where Paterson began to "lose his way." John Bush of
AllMusic similarly felt that the album provided the first hint "that the Orb might have taken their work a bit too far," and considered "Alles Ist Schoen", with its "beautiful ambient grooves", to be the album's highlight. ==Legacy and aftermath==