Pompeii (film)

In northern Britannia, AD 62, Roman soldiers led by General Quintus Attius Corvus wipe out a tribe of Celtic horsemen. Corvus personally kills the parents of a boy named Milo. Being the only survivor, Milo is later captured by slave traders. Seventeen years later, in Londinium in AD 79, the grown Milo becomes a popular gladiator. His owner Graecus brings the gladiators to Pompeii. Also going there are Cassia and her servant Ariadne, who return after a year in Rome. Cassia becomes enamored of Milo after witnessing him perform a mercy kill of a critically injured horse; she reveres this as an act of kindness. Her parents are the city governor Severus and his wife Aurelia. One of their servants is later swallowed up when a quake from Mount Vesuvius opens up the ground under him. In Pompeii, Milo develops a rivalry with Atticus, a champion gladiator who, by Roman law, will be given his freedom after he earns one more victory. The gladiators are shown off at a party where Corvus, now a Senator, announces that he will invest in Severus' plans to rebuild Pompeii. It is then revealed that Cassia originally left Rome to escape Corvus' unreciprocal advances. When an earthquake causes some horses to become anxious, Milo is permitted to calm one down. He then takes Cassia on a ride. Being aware that they cannot be together, he returns her to the villa. Not recognizing Milo, Corvus is ready to kill him, but Cassia pleads for his life. Milo is lashed for his actions, and Atticus admits respect for his rival. In the Amphitheatre of Pompeii, to punish Milo, Corvus orders him killed in the first battle, and trainer Bellator convinces Graecus to execute Atticus as well. The two men, and other slaves, are chained to rocks as, in an attempt to recreate Corvus' victory over the Celts, gladiators are unleashed upon the slaves. Working together, Milo and Atticus survive the battle, with the latter realizing the Romans will never honor his freedom. Meanwhile, Corvus forces Cassia to agree to marry him by threatening to have her family killed for supposed treason against Emperor Titus. When Milo and Atticus win, Cassia defies Corvus by holding a "thumbs-up", saving them from execution. Corvus has her locked up in the villa and has his officer Proculus fight Milo one-on-one. Their battle is interrupted when Mount Vesuvius erupts, creating tremors that cause the arena to collapse, sending Milo and Proculus crashing to the dungeons. Milo opens up the gates, allowing his fellow gladiators a chance to attack; Proculus escapes, while Bellator is killed. Enraged, the critically injured Severus tries to kill an unconscious Corvus, only for him to awaken, stab him instead and escape. Flaming debris rains down upon the city as everyone tries to flee to the harbor. One fireball sinks a ship, killing the escaping Graecus. Before succumbing to her injuries, Aurelia tells Milo that Cassia is at the villa. There, Milo manages to save Cassia, but Ariadne is killed when the villa collapses into the Mediterranean Sea. Atticus tries to reach the harbor, which is destroyed with several ships when a tsunami created by the volcano smashes into the city. Reuniting with Atticus, Milo suggests searching the arena for horses to escape. As the gladiators face Roman soldiers at the arena, Cassia is abducted by Corvus. Milo chases after the chariot carrying the two while Atticus fights Proculus. Atticus is mortally wounded in the duel, but nonetheless manages to kill Proculus. Cassia frees herself before the chariot crashes into the Temple of Apollo. Milo and Corvus duel aboard the chariot as a fireball destroys the temple. Cassia then chains Corvus to a building, as Milo reveals who he is. He declares that his gods are coming to punish Corvus. Milo and Cassia ride off as a pyroclastic surge races into the city, incinerating Corvus. At the arena, Atticus proclaims that he dies a free man before being consumed with the city. At the outskirts, the horse throws off Milo and Cassia. Milo tells Cassia to leave him, explaining the horse is not fast enough to carry them both. Instead, she sends the horse off, knowing they cannot outrun the surge. In their final moments, they kiss as the surge engulfs them. When the dust settles, their petrified bodies are shown in an eternal embrace. ==Cast==

The film was shot in Toronto, Ontario, from March to July 2013, primarily at Cinespace Film Studios' Kipling Avenue facility. Constantin Film and Don Carmody Productions had previously used Cinespace as a shooting locale for Resident Evil: Retribution (2012) and The Mortal Instruments: City of Bones (2013). Leading man Kit Harington underwent a gruelling training regimen for the film in order to bulk up for the role: Kiefer Sutherland commented that working on Pompeii was "much more fun" than many of his other feature films, and commented positively on working with Paul W. S. Anderson:He commands a set with absolute authority. He's the guy in charge. And as an actor, to work for a director who knows exactly what he wants. He's so technically proficient that I'm not even aware we're shooting a 3D movie. That is a real testament to him and his crew that have done this before and know how to do it. But as nice as he is, he's very clear about what he wants. It's such a gift to work in that. There's a real safety in that. Again, I can push this direction all I want, but he'll pull me back and make sure I'm fitting into the context of this film. It's just one of the most comfortable environments I've ever been in.Pompeii was the fourth time that director Anderson used 3D cameras in his films, the first being Resident Evil: Afterlife in 2010. Resident Evil producers Jeremy Bolt and Don Carmody reunited with Anderson for the film. FilmDistrict bought the distribution rights in the US, and because of Sony's relationship with the filmmakers, they chose to release the film with TriStar Pictures. Summit Entertainment, who released Anderson's The Three Musketeers, handled distribution sales outside of Germany, Austria and the US (through Lionsgate). ==Reception==

Box office Pompeii grossed $10.3 million in its opening weekend in North America, where it finished in third; 62% of audiences were stated to be over the age of 30, 52% male and 48% female, and the film was projected to gross $25 million at the domestic box office. Outside of North America, it performed much better: "playing in 37 markets, the 3D disaster movie earned an estimated $22.8 million". The film won the Academy of Canadian Cinema and Television's Golden Screen Award for 2014 as the year's top-grossing Canadian film. Critical response On review aggregation website Rotten Tomatoes 27% of 170 critics gave the film a positive review, with an average rating of 4.40/10. The site's critics consensus reads: "This big-budget sword-and-sandal adventure lacks the energy and storytelling heft to amount to more than a guilty pleasure." On Metacritic the film has a weighted average score of 41 out of 100 based on 33 critics, indicating "mixed or average" reviews. Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale. Paul W. S. Anderson's direction, while occasionally considered derivative of the storytelling methods of other blockbuster films such as Gladiator (2000) and Titanic (1997), nevertheless received some praise. Matt Patches, writing for Grantland, identified his work as a "labor of love" with "visionary" proportions. Harington later joked on Saturday Night Live about the film's reception, remarking that the movie was "more of a disaster than the event it was based on." Accolades Home media Pompeii was released on DVD and Blu-ray on May 20, 2014, by Sony Pictures Home Entertainment. ==Historical accuracy==

Pompeii was generally praised, albeit with some hesitation, for its recreation of historic set pieces and portrayal of accounts of recorded events and geological realism, although aspects of the eruption of the volcano were considered enhanced or heightened for dramatic spectacle. Anderson became enamored of his writings, particularly their near fantastical element and their eloquence, whose influence can be seen throughout the film in the destruction of Pompeii. The depiction of the eruption is based on eruptions which occurred all over the world over the last ten years. Anderson cites the volcanic eruption of Mount Etna in Italy and various eruptions of Japanese volcanoes as specific examples of volcanic eruptions which the production crew observed through footage which has been captured on film. The depiction of the city was based on the surviving ruins of Pompeii. To ensure complete accuracy, any shots of the ancient city were built upon existing footage of the ruins. Anderson stated,we would do a real helicopter shot over the ruins of the city so that we knew we were getting the layout of the city correct ... Then we would project a computer-generated image over the top of the real photography ... That is how we got the architecture of the city precise. Sarah Yeomans, an archaeologist at USC, has praised the attention to detail in the film's depiction of Pompeii, noting, for example, the raised paving stones in the streets, the political graffiti on the buildings, and the amphitheatre where gladiatorial combat takes place. Anderson has described other aspects of the film as being less rigorously historical. For example, he states that the timeframe of the events was compacted in order to keep the intensity levels high. His portrayal of some aspects of the eruption, in particular the inclusion of fireballs raining from the sky, were included for dramatic effect rather than historical accuracy. Anderson received minor criticism from Yeomans for his portrayal of women, who would not have been seen alone in town, involved in political affairs, or wearing revealing clothes such as they wore in the film. Anderson portrayed these women more according to modern tastes. The characters themselves are fictional. Anderson found inspiration for them in real people, representing the famous plaster cast of the "twin lovers" of Pompeii as Milo and Cassia, and finding inspiration for Atticus in the casts of the cowering man. Anderson said he received approval from every volcanologist and historian he has shown the movie to, having received "high marks for both scientific and historical accuracy", for which the team was striving. ==Notes==