In the early days, only about 15 years after the founding of
Ootacamund, Captain Peacocke created 17 drawings of historic landscape views in the Nilgiri Hills during a medical leave spent at Ootacamund in the late 1830s. His lithographs reflect the romantic escape to a temperate hilly area that all
British people in the plains yearned for in those days. It was a home away from home. Furlough was usually only every five years or so but there was the nearby refuge of the cool climate of the Indian hills to seek, especially Ooty with its downs,
primulas and strawberries growing wild. There are three notable features in all the Peacocke drawings. First, the play of sunlight in the background of these landscapes is realistic and supplies the title
the Sunlit Hillscapes to this series. The soft but brilliant glow of light in the South Indian hills is beautifully captured by the artist in each of the drawings. Second, the
graphical perspective in his topographic representations is very lifelike. The elevations and distant houses are all in proportion and scale. The distant views, with scale and depth, give drama to Peacocke's landscapes. Third is attention to detail away from the central focus of the work. For example, in
View in the Hills, Hullikkul, one can see that the hills to top left are dotted about with houses, not apparent on a cursory glance, all perfectly positioned, topographically, and in perspective. Capt. Peacocke was trained in surveying in the Army and used this training to good effect in his Neilgherry views.
Gallery of lithographs The following gallery of Peacocke's landscape lithographs is ordered geographically from
the Low Country & Coonoor Pass, up through
General View of Ootacamund and continuing west up along the Sispara Ghat road past
Avalanche and culminating in the most dramatic geography in the Nilgiri Hills;
View in the Koondahs, near Sispara. Image:Peacocke-View of the Low Country & Coonoor Pass -.jpg|(*) A View of the Low Country &
Coonoor Pass File:Peacocke-View of Coonoor from the Ootah Road.jpg|(*) View of Coonoor from the Ootah Road File:Peacocke-View of the Upper Bungalow, Coonoor -.jpg|(*) View from the Upper Bungalow, Coonoor File:Peacocke-View near Hullikul, Koondah -.jpg|(*) View Near Hullikul, Koondahs File:Peacocke-View in the Hills, Hullikkul.jpg|(*) View in the Hills, Hullikkul File:Peacocke-Roadcut Between Coonoor & Ootacamund.jpg|Roadcut Between Coonoor &
Ootacamund File:Peacocke-View Over the Native Village, Coonoor, Looking Towards Ootacamund.jpg|View Over the Native Village, Coonoor, Looking Towards Ootacamund File:Peacocke-View at Ootacamund Neilgherries, Govt House.jpg|Government House View at Ootacamund, Neilgherries File:Peacocke-General view of Ootacamund.jpg|General View of Ootacamund File:Peacocke,Waterfall From Bungalow at Colhutty, Segoor pass.jpg|Waterfall from Bungalow at Colhutty, Segoor pass File:Peacocke-Mr Grove's House, Waterfall, Kaitie.jpg|Mr Grove's House, Waterfall, Kaitie File:Peacocke,Todas & Toda Munds (Habitations) -.jpg|(*) Todas Munds (Huts) &
Toda people File:Peacocke-Bearers godown at the Avalanche.jpg|(*) Bearers godown at the Avalanche File:Peacocke-Avalanche.jpg|(*) The Avalanche File:Peacocke-Travellers Bungalow, Sispara.jpg|(*)
Travellers' Bungalow, Sispara File:Peacocke-View in the Koondahs, near Sispara.jpg|View in the Koondahs, near
Sispara An entire set of 16, tinted and uncoloured, are part of the Raj Bhavan art collection in Ooty. The lithos of Peacocke are not in
Travel in Aquatint & Lithography by the late Maj.
John Roland Abbey. (*) On 19–31 August 2009 nine of these lithographs, from the private collection of V. Narayan Swami, were displayed in the exhibition of rare, unique and never-before-seen etchings, engravings & aquatints: "Madras: From the City to the Presidency" at the Vennirul Art Gallery, C.P. Art Centre by the C.P. Ramaswami Aiyar Foundation, Chennai, Tamil Nadu. ==Later life==