At the beginning of the 20th century appear the very first postcards representing the "Château des Comtes de Guernon-Ranville". These cards are the work of small local publishers and are taken from photographs showing the principal facade of the château with its flight of steps and a promontory above a part of the barn, no longer in existence, which must have served as an observatory. At this time, the château belonged to a great-grandniece of the Count of Guernon-Ranville, Yvonne Colmiche. The château was thus also photographed under the name of "Château Colmiche". No longer permanently inhabited by this descendant of the Count, the property was rented to a succession of tenants, among whom figure Alexandre Natanson, editor of
La Revue Blanche (
The White Review). Brother-in-law of the celebrated
Misia, muse of fashionable and artistic Paris, as well as of the actress
Marthe Mellot, he was also a patron and friend of great artistes of the era, including, among others, the painters
Pierre Bonnard,
Paul Signac,
Henri de Toulouse-Lautrec and
Pierre-Auguste Renoir. In her book
Le Pain Polka (
The Polka Bread), Annette Vaillant, daughter of Marthe Mellot and niece of Alexandre Natanson, retells childhood memories of the château of Ranville where she joined her family several summers. She makes reference of the disposition of rooms still in existence today, such as the large drawing room "where one always feels cold with that portrait of Napoleon shining as brilliantly as the parquet floor and the piano", the billiard room "with its high bench seats and the balls which roll soundlessly, clicking against one another" and also the small drawing room. Of the exterior of the château, Vaillant describes the belvedere "which dominates the roadway", the hothouse which has since disappeared "where hang from the roof warm grapes not yet ripe", the stone steps of the flight of steps, the first cyclamens which scatter about the lawn at the end of summer, as well as "the walkway of dahlias running along the other side of the tennis court". , 1907
Édouard Vuillard painted this tennis court in 1907. A familiar face in the circle of the Natanson family, the painter was on holiday a few kilometres from Ranville, at the Château-Rouge of Amfreville.
Le Tennis is a very large painting and was notably exposed in Paris at the 1912
Salon d'Automne and later at the
Musée des Arts Décoratifs in 1938. Belonging for a long time to the Natanson family, the painting then left France for the United States where it was acquired by renowned art dealer by the name of Howard Young, an associate of
Francis Lenn Taylor,
Elizabeth Taylor's father.
Le Tennis was later offered for sale by Sotheby's of New York in 1985. Should one refer to the proposal of Anna de Noailles who said that "Monsieur Vuillard paints all that he sees", particularly during his years of realism, the background of the work tells that at that point in time, the property was not as yet defined by walls. The notarial act relating to the sale of the château between the First and Second World Wars to the Countess of Gramedo mentions "a property comprising a château, outbuildings, an orangery, a hothouse as well as a kitchen garden and a park in front of and behind the château, all of which is enclosed by walls". == Field hospital during the Normandy landings in 1944 ==