In ancient literature probably depicting Livia as
Salus Augusta. where the Empress' favourite wine was grown The ancient sources all agree that Livia was Augustus' best confidant and counselor, but the extent of her influence remained disputed due to the numerous attempts by her political enemies to defame her dynasty. According to Suetonius, who had access to imperial records, Augustus would write down lists of items to be discussed with Livia, and then take careful notes of her replies to be consulted again later. In Tacitus'
Annals, meanwhile, Livia is famously depicted as having great influence, to the extent where she "had the aged Augustus firmly under control—so much so that he exiled his only surviving grandson to the island of Planasia"; Tacitus goes on to call her "a real catastrophe to the nation as a mother, and to the house of the Caesars as a stepmother" and "a compliant wife, but an overbearing mother". Livia's image appears in ancient visual media such as coins and portraits. Following
Octavia the Younger,
Cleopatra and possibly
Fulvia, she was the third (or fourth) woman to appear on provincial coins in 16 BC. On official Roman coinage, she was probably portrayed as
Salus Augusta on the
dupondius of Tiberius. Her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman. Livia's image evolves with different styles of portraiture that trace her effect on imperial propaganda that helped bridge the gap between her role as wife to the emperor Augustus, to mother of the emperor Tiberius. Becoming more than the "beautiful woman" she is described as in ancient texts, Livia serves as a public image for the idealisation of Roman feminine qualities, a motherly figure, and eventually a goddesslike representation that alludes to her virtue. Livia's power in symbolising the renewal of the Republic with the female virtues
Pietas and
Concordia in public displays had a dramatic effect on the visual representation of future imperial women as ideal, honourable mothers and wives of Rome. Livia also restored the temple of the
Bona Dea. In modern literature In the popular fictional work
I, Claudius by
Robert Graves—based on Tacitus' innuendo—Livia is portrayed as a thoroughly
Machiavellian, scheming political mastermind. Determined never to allow republican governance to flower again, as she felt they led to corruption and civil war, and devoted to bringing Tiberius to power and then maintaining him there, she is involved in nearly every death or disgrace in the
Julio-Claudian family up to the time of her death. On her deathbed she only fears divine punishment for all she had done, and secures the promise of future deification by her grandson Claudius, an act which, she believes, will guarantee her a blissful afterlife. However, this portrait of her is balanced by her intense devotion to the well-being of the Empire as a whole, and her machinations are justified as a necessarily cruel means to what she firmly considers a noble aspiration: the common good of the Romans, achievable only under strict imperial rule. In
John Maddox Roberts's short story "The King of Sacrifices," set in his
SPQR series, Livia hires Decius Metellus to investigate the murder of one of
Julia the Elder's lovers. In
Antony and Cleopatra by
Colleen McCullough, Livia is portrayed as a cunning and effective advisor to her husband, whom she loves passionately. Luke Devenish's "Empress of Rome" novels,
Den of Wolves (2008) and
Nest of Vipers (2010), have Livia as a central character in a fictionalised account of her life and times. Livia plays an important role in two Marcus Corvinus mysteries by David Wishart,
Ovid (1995) and
Germanicus (1997). She is mentioned posthumously in
Sejanus (1998).
On television and film • In the 1968
ITV television series
The Caesars, Livia was played by
Sonia Dresdel. • In the 1976
BBC television series
I, Claudius based on the book, Livia was played by
Siân Phillips. Phillips won a
BAFTA for her portrayal of the role. • In the 2003 television film
Imperium: Augustus, (one of a series), Livia was portrayed by
Charlotte Rampling. • In the 2007
HBO/BBC television series
Rome, Livia was dramatised by Alice Henley. • Livia Drusilla is the series-protagonist of
Sky Atlantic’s episodic period drama
Domina (2021-2023), relating the rise of the Roman
Principate with a focus on Livia's role and relationships. She is portrayed as having sworn a
sacred oath to
her father's
shade to restore the Republic and to be playing a
long con to that effect in concert with
Gn. Calpurnius Piso. The child Livia is played by Meadow Nobrega, the adolescent and young adult Livia by
Nadia Parkes, and the adult Livia by
Kasia Smutniak. ==Descendants==