1968 version This version of the film has two clocks in the corner showing the comparison between the viewer's time and that of Earth time. As the viewer's speed increases, Earth time, relative to the viewer, also increases. It was installed in the Smithsonian Institution's
National Air and Space Museum's Life in the Universe gallery at the time of the museum's opening in 1976, until the gallery's closure in 1978. There is also a 1968
National Film Board of Canada film entitled
Cosmic Zoom which covers the same subject using animation. It is wordless, using sped-up music during the return trips to normal size.
1977 version The film begins with an overhead view of a man and woman picnicking in a park at the
Chicago lakefront — a overhead image of the figures on a blanket surrounded by food and books they brought with them, one of them being
The Voices of Time by
J. T. Fraser. The man (played by Swiss designer Paul Bruhwiler) then sleeps, while the woman (played by Eames staffer Etsu Garfias) starts to read one of the books. The viewpoint, accompanied by
expository voiceover by
Philip Morrison, then slowly zooms out to a view across (or in
scientific notation). The zoom-out continues (at a rate of one power of ten per 10 seconds), to a view of (where they are shown to be in
Burnham Park, near
Soldier Field, then (where we see the entirety of Chicago), and so on, increasing the perspective and continuing to zoom out to a field of view of , or a field of view 100 million
light years across. The camera then zooms back in at a rate of a power of ten per 2 seconds to the picnic, and then slows back down to its original rate into the man's hand, to views of negative powers of ten: 10
centimeters (), and so forth, revealing a
white blood cell and zooming in on it—until the camera comes to
quarks in a
proton of a
carbon atom at . == Reception and legacy ==