During the 1980s and 1990s, computer-aided prepress techniques began to supplant the traditional dark room and
light table processes, and by the early 2000s the word
prepress became, in some ways, synonymous with digital pre-press. Immediately before the mainstream introduction of computers to the process, much of the industry was using large format
cameras to make emulsion-based (film) copies of text and images. This film was then assembled (planning (UK) or
stripping) and used to expose another layer of emulsion on a plate, thus copying images from one emulsion to another. This method is still used; however, as digital pre-press technology has become less cost intensive, more efficient and reliable, and as the knowledge and skill required to use the new hardware and especially software have become more widespread within the labor force, digital automation has been introduced to almost every part of the process. Some topics related to digital but not analog prepress include
preflighting (verifying the presence, quality and format of each digital component),
color management, and
RIPing. PDF workflows also became predominant. Vendors of Prepress systems, in addition to the offset printing industry, embraced a subset of the
PDF format referred to as PDF/X1-a. This industry specific subset is one version of the
PDF/X (PDF for eXchange) set of standards. In more recent years, prepress software has been developed which is designed to find as many efficiencies in prepress workflow as possible. These tools are accessed online, and allow different workers to work on one project at the same time, often from different locations. Key functionality automates common steps to reduce errors, reinforce quality standards and speed up production. Examples include automatically re-folioing pages, digital dummies for soft proofs, live linking with Adobe InDesign and pre-flight checking. These tools revolve around a
Flatplan and are used in all sorts of prepress including book, magazine and catalog production. == See also ==