Contemporary reviews for the album were mixed. In
Melody Maker, Chris Brazier called the record "the first important album"
of the 1980s, and while the second side of the album was better than the first side, overall "the album is irresistible". However, Tony Stewart of
NME criticised
Melody Maker for hyping the band, and said that "so much about the Pretenders is reminiscent of '60s pop games that any claim they are innovative is completely invalid". Stewart noted influences from
the Velvet Underground,
the Beatles, the 1960s
beat boom,
Blondie and
the Police, and while he acknowledged Hynde's talents as a frontwoman, he dismissed the band's playing and inability to lift the music to the level of the lyrics, stating that "they seem unable to give it an edge".
Soundss Robbi Millar said of the album, "Its success, which should be fairly apparent through the next few months, will be valued not through hype and wildly enthusiastic pen-happy journalists but through a number of strong album tracks." Millar also noted several influences, including
Sting and
Public Image Ltd, and that the album included three singles and two B-sides that had already been released, but that it also included "seven other worthy tracks" which resulted in "one fine first album". In 1989,
Rolling Stone ranked
Pretenders the 20th best album of the 1980s. In 2012,
Slant Magazine listed
Pretenders at number 64 on its list of the best albums of the 1980s.
Pretenders has been named one of the best albums of all time by
VH1 (No. 52). In 2003,
Rolling Stone ranked the album at number 155 on its list of
the 500 greatest albums of all time, with
Pretenders maintaining the rating in the 2012 revised list, and moving up to number 152 on the 2020 revision. In 2020,
Rolling Stone included the band's debut album in their "80 Greatest albums of 1980" list.
Ultimate Classic Rock critic Bryan Wawzenek rated "Precious", "Kid", "Tattooed Love Boys" and "Brass in Pocket" as being among drummer Martin Chambers' top 10 Pretenders songs. "This is one of the most astonishing debut albums in the history of music," enthused author
Michael Chabon. "On songs like 'Tattooed Love Boys', you're wondering, Who is Chrissie singing about when she says, 'I shot my mouth off and you showed me what that hole was for?' That was just one of those obsessive-listening records for me." In her autobiography, Hynde confirms she is singing about herself and her own personal experience. In 2016, the album was inducted into the
Grammy Hall of Fame. ==Track listing==