Critical response The Monthly Film Bulletin wrote: "With a frenzied assortment of fashionable tricks (frozen frames, slow motion runs, speeded-up bicycle rides), an insistent pop score, a gratuitous hippy party and yards of exposed teenage thigh, Richard Donner drives what one hopes will be the final nail into the coffin of the
Swinging Sixties. The film is predicated on the irresistible appeal of its nymphet heroine and on the assumption that her first fumblings towards maturity are of riveting psychological interest; but since she is surrounded by a family of cutely kooky characters ... it is hard to take problems seriously, the more so since the unbelievably fey dialogue with which she is saddled ...does little to elucidate the processes of the adolescent mind at work. Susan George, who has elsewhere shown herself an actress of some promise, can do little with the part which, with the camera moving in for close-up after close-up of her tossing blonde hair, takes on the nightmare quality of a ninety-minute shampoo commercial."
The Radio Times Guide to Films gave the film 1/5 stars, writing: "Richard Donner directs this abysmal relic from Swinging London that not even its distinguished supporting cast can salvage. Susan George plays a 16-year-old schoolgirl who elopes with an American novelist played by Charles Bronson. Both sets of parents are appalled. The audience is, too." The
Contemporary North American Film Directors: A Wallflower Critical Guide state that the film exploited "the sexual freedom of its era", describing Susan George's character as a "naive young nymphet".
Leslie Halliwell said: "Dreary sex comedy drama, the fag end of London's swinging sixties." ==References==