The Progressive Art Movement, based in
Adelaide, was part of a bigger movement that was pushing back against elitism in the art world, and the group produced art that used cheaper materials, making it more accessible to artists and the public, such as
silk screen printing and
posters. PAM defined itself as a political organisation, and often mounted protests at institutions such as the
Art Gallery of South Australia. Printmaker
Ruth Faerber wrote when reviewing an exhibition of Adelaide art at the
Art Gallery of NSW in 1977 that PAM was "motivated by a strong
Marxist sociopolitical direction, agreed to a shared program for action and a sense of immediate imperative", compared with the
Experimental Art Foundation, which did not commit to a set of agreed aims. Martin was castigated by the communist elements of the group for "fraternising with the enemy" after learning that she had had lunch with visiting American feminist curator and writer
Lucy Lippard and Australian art historian
Terry Smith. She "didn't so much desert the ship but I certainly moved to one side", after realising that she did not want to confine her criticism to capitalism, but wanted to critique socialism as well. ==Members==